The Treatment

The films of Yorgos Lanthimos cannot be neatly summed up and often take the viewer in surprising and unexpected directions. He’s the mind behind The Lobster, Poor Things, The Favourite and his latest, Bugonia. The film, starring Emma Stone and Jesse Plemons, is up for four Oscars including Best Actress and Best Picture. Lanthimos tells Elvis why he enjoys working with non-professional actors, how Emma Stone prepared for the layered role, and why he likes a film that doesn't give all the answers.

Director Joseph Kosinski’s films don’t exactly scream quiet solitude. He’s helmed the action packed Tron, Top Gun: Maverick and most recently, the Oscar nominated F1, starring Brad Pitt. However, his films’ protagonists often have to do battle with themselves in the end. For his treat, Kosinski goes back to a painting he discovered as a young man in New York that captured the loneliness of being a director.

Sinners is now the most Oscar nominated film ever with 16 nods including Best Picture, Best Director, and Best Original Screenplay. In 2025, Ryan Coogler sat down with Elvis for an extended conversation about the film. Elvis and Coogler delve into the musical spark behind Sinners, why his characters often have a complicated relationship with home, and why he sees films as an exercise in contrast.

Elvis welcomes Iranian director Jafar Panahi, whose film It Was Just an Accident received two Oscar nominations for Best International Feature Film and Best Original Screenplay. The film earned critical acclaim when it won the Palme d'Or at the 2025 Cannes Film Festival. He talks about the obligations of a socially engaged filmmaker, letting the audience be the judge of his films' morality, and how he approaches casting.

Oscar nominated director Darren Aronofsky doesn’t shy away from gritty realism. From the ugliness of drug addiction in 'Requiem for a Dream' to the frightening discipline of a ballerina in 'Black Swan' to his latest thriller, 'Caught Stealing' starring Austin Butler. The film takes place in the pre-gentrified New York City of the 1990s. For his treat, Aronofsky pays tribute to another film that captured the dark side of the city as the backdrop for a bored guy’s never-ending night.