Studio 360

Our latest American Icons feature explores Patricia Highsmith’s series that began with “The Talented Mr. Ripley,” and how Tom Ripley fits into an American tradition of protagonists struggling with identity and morality. Kurt Andersen visits perfumer Tanwi Nandini Islam as she concocts a fragrance based on Toni Morrison’s “Beloved.” And a favorite from our Guilty Pleasures series: Writer Sadie Stein on the word that so many find icky but that she really likes: “moist.” American Icons is made possible by a grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this Studio 360 extra, we’re sharing a podcast called “Aria Code.” Produced by WQXR and the Metropolitan Opera, it features singers and opera observers revealing the magic of a single song from an opera, followed by the aria uninterrupted. In this episode, host Rhiannon Giddens and her guests explore the power of hope in Puccini's tragic “Madama Butterfly,” as well as in a real-world Butterfly story. Then, you'll hear Ana María Martínez sing the complete “Un bel dì vedremo” aria onstage at the Metropolitan Opera. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kurt Andersen talks with director Jennifer Reeder about her path from making short arthouse films in the 1990s to her new film, “Knives and Skin.” Producer Sam Kim has the story of erotic potboiler “Naked Came the Stranger,” which climbed The New York Times bestseller list in 1969 but, it turns out, was meant to be a parody of the very bodice-rippers it was outselling. And Richard Curtis’ 2003 movie “Love Actually” is much parodied for its cheesy gimmicks and accelerated marriage proposals, but screenwriter Oliver Butcher makes a case for why it is actually a deft work of screenwriting and direction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wynton Marsalis is a jazz icon — a renowned trumpet player and composer, he is also the music director of the Jazz at Lincoln Center Orchestra. But since the very beginning, classical music has been a part of his musical makeup. Marsalis tells Kurt Andersen about how a chance encounter on a New Orleans streetcar began his love of classical music and guides us through the composition of his “Swing Symphony.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Cartoonist Lynda Barry is famous for drawing the darkly funny strip “Ernie Pook’s Comeek” that appeared in alternative newsweeklies for three decades, but for the latest installment in our Guilty Pleasure series, she makes a case for why she loves perhaps the most mainstream and most mocked comic of all: “The Family Circus.” Our latest American Icon installment is about “My Ántonia” by Willa Cather, and why that novel — and author — have never really gotten their due. And Kurt Andersen talks with Oscar-winning cinematographer Roger Deakins about working on so many Coen brothers films, why he still operates the camera himself and more. Learn more about your ad choices. Visit megaphone.fm/adchoices