The animated TV series Pantheon (streaming on Netflix) asks what if you could upload your mind to the Internet? Would still be human? Would we create a virtual paradise where everyone got to live forever? Or would we find new and more sophisticated ways to destroy each other? I talk with Pantheon showrunner Craig Silverstein and Ken Liu, the author of The Hidden Girl and Other Stories, which the TV show is based on. We discuss how they adapted a series of loosely interconnected stories into a tightly plotted two-season arc, and all the ways in which society would change if uploading our minds becomes a viable technology. Featuring readings by actress Eunice Wong.
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44:43
Murderbot Is Ready for Its Close-Up (But Not Eye Contact)
Murderbot is a killing machine in the far future that would rather spend its time binging an intergalactic soap opera. Shooting bad guys with lasers is much less stressful than making eye contact or engaging in small talk with humans. Murderbot is also the main character of Martha Wells’ best-selling series of books, The Murderbot Diaries. The books have been adapted into a fun new show on Apple TV+ starring Alexander Skarsgård. I talk with Martha Wells, and the showrunners Chris and Paul Weitz, about the challenges of adapting the books for television -- from casting choices, to translating Murderbot’s anxious inner monologue into voice-over narration, to finding the right balance of comedy, action, and sci-fi.
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38:44
The Bright Legacy of Dark Shadows
Next year marks the 60th anniversary of Dark Shadows. The gothic soap opera wasn’t originally intended to include a vampire, but when creator Dan Curtis introduced the character of Barnabas Collins in a last-ditch effort to avoid cancellation, he inadvertently launched a cultural phenomenon. As portrayed by actor Jonathan Frid, the character of Barnabas sparked a never-ending debate among horror fans as to whether vampires should be depicted as pure predators or tragic, misunderstood outcasts. I talk with Danielle Gelehrter (host of the podcast Terror at Collinwood) and authors Mark Dawidziak and Jeff Thompson about why the show had a meteoric rise and fall, what the series reflected about the 1960s, and whether Dark Shadows can have eternal life as a form of IP.
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40:45
Body Horror Gets Under My Skin
We all have that one thing we just can’t watch. For me, it’s body horror -- the kind of horror where grotesque and disturbing things happen to someone’s body, like in The Thing, The Fly, or The Substance. There is a long history of body horror as a form of social commentary and special effects showmanship. I respect the artform, but I can’t stomach the art. So I decided to figure out why. I talk with Chioke l’Anson (horror fan and voice of NPR underwriting), author David Huckvale (“Terrors of The Flesh: The Philosophy of Body Horror in Film”) and author Xavier Aldana Reyes (“Contemporary Body Horror”) about how this subgenre taps into fundamental aspects of being human that we often try to put out of our minds. Plus, I speak with listener Lillie Andrick about why some transgender fans, like her, feel a special connection to body horror.
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38:25
Bonus: Syd Mead Full Gallery Tour
Last week, we heard about a new exhibit in New York called Syd Mead: Future Pastime. The exhibit closes on May 21st, and I know most listeners won't be able to see it in person. So in this bonus episode, you can hear the entire tour I got from Elon Solo and William Corman, who organized the exhibit. You can also see some of the images on the Imaginary Worlds Instagram and Facebook pages.
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Imaginary Worlds sounds like what would happen if NPR went to ComicCon and decided that’s all they ever wanted to cover. Host Eric Molinsky spent over a decade working as a public radio reporter and producer, and he uses those skills to create thoughtful, sound-rich episodes about science fiction, fantasy, and other genres of speculative fiction. Every other week, he talks with filmmakers, screenwriters, novelists, comic book artists, game designers, and anyone who works in the field of make-believe about how they craft their worlds. He also talks with academics and fans about why we suspend our disbelief, and what happens if the spell is broken. Imaginary worlds may be set on distant planets or parallel dimensions, but they are crafted here on Earth, and they’re always about us and our lived experiences.
USA