As part of our mini series on sidekicks, we look at two characters that have travelled in parallel since they came out of the same radio station in the 1930s – Tonto and Kato. There wasn’t anything authentically Native American or Asian about these sidekicks, but that didn’t matter to the audiences who enjoyed their team-ups with The Lone Ranger and The Green Hornet. Embodying Tonto and Kato was a lot more challenging for the actors Jay Silverheels and Bruce Lee, who struggled to find humanity within the stereotypes, and respect behind the scenes. Featuring .”
Sidekicks are often taken for granted because they’re so loyal. We assume they’ll always be there to back up our heroes. Why? What’s in it for them? Who gets to be a sidekick, and do they want to stay in that role? To kick off our mini-series on sidekicks, we look at the most iconic and long-standing sidekick in pop culture: Doctor Watson. From The Steam Age to The Information Age, Watson has always found a place next to Sherlock Holmes. But as contemporary storytellers play with Watson’s race, gender, and nationality, new facets of the character have emerged that shed light on why Watson is indispensable not just for Holmes, but for the audience as well. Shedding light on this mystery are Professor
Rod Serling's Key of Imagination
Witness if you will a writer: Rod Serling. This is the story of a man with a vision -- a vision of what television could be if only men ceased to operate out of fear and greed. But Rod Serling has a plan. He will use the camouflage of monsters, both real and imagined, to reveal what cannot be said about society, and what Mr. Serling himself cannot say about his own fears and regrets. And those monsters dwell in a state of mind called The Twilight Zone. The cast of characters: Nicholas Parisi, author of “ ,” by Anne Serling.
The Hero's Journey Endgame
When something goes wrong in an ordinary world, an unlikely hero emerges to go on a quest….and you know the rest. Ever since George Lucas cited Joseph Campbell’s 1949 book, “The Hero with a Thousand Faces” as the inspiration for Star Wars, Hollywood screenwriters have used Campbell’s theory of The Hero’s Journey as the blueprint for making movies, especially stories about epic protagonists. But as we reach a saturation point of sci-fi fantasy and superhero franchises, has The Hero’s Journey outstayed its welcome? I talk with pop culture journalist Abraham Riesman, and musical composer Peter J. Casey, who explains how The Hero’s Journey took over Broadway.
Slaughterhouse at Fifty
Time doesn’t work the same for Billy Pilgrim as it does for the rest of us. He keeps jumping from one moment in his life to the next -- and always back to the bombing of Dresden. 50 years ago this month, Kurt Vonnegut introduced Billy Pilgrim and the aliens who gave him strange time traveling powers in his novel "Slaughterhouse Five, or The Children's Crusade: A Duty-Dance with Death." Many critics were baffled as to why Vonnegut used sci-fi tropes to explore the horrors of World War II. But the novel was deeply personal to Vonnegut, who struggled for years to figure out how to talk about his wartime experiences. Vonnegut scholars Marc Leeds, William Rodney Allen and Julia Whitehead of the connect the dots from the author’s real traumas to the fantastical adventures of Billy Pilgrim. And professor Philip Beidler explains why the novel speaks to him as a Vietnam veteran.