Excuse the Intermission podcast | Listen online for free

Available Episodes

5 of 273

Guillermo Del Toro’s Frankenstein with Filmmaker Justin Robert Vinall
Send us a textA monster is born, a father is made, and a legend gets a new pulse. We brought filmmaker Justin Robert Vinall into the studio to dive headfirst into Guillermo Del Toro’s Frankenstein, pulling apart what this adaptation embraces from Mary Shelley and what it boldly rewires. We start with the immediate gut checks—why the production design is breathtaking, how the exteriors can feel oddly digital, and where the Arctic bookends unlock fidelity to the novel while straining the final act’s momentum.From there, we go deep on performances. Jacob Elordi’s creature emerges as the film’s soul: empathetic, physically mythic, and quietly devastating as he learns language, kindness, and cruelty. Oscar Isaac’s Victor is a lightning rod—baroque and volatile, thrilling for some and cartoonish for others. Mia Goth brings poise and spark but isn’t given enough runway to leave a mark beyond one standout confrontation. We parse the lecture hall resurrection, the companion request, and the rushed father-son reconciliation, asking whether the story earns its closing warmth or retreats from the abyss Shelley dared to face.This conversation keeps one eye on awards season—production design, hair and makeup, and a potential best picture play—while tracking where the film sits in Del Toro’s body of work. Is this a companion to Crimson Peak and Nightmare Alley, or a mid-tier entry lifted by an all-timer creature performance? Along the way we explore the themes that make Frankenstein evergreen in 2025: consent, responsibility, otherness, and the cost of creating life without love. Hit play, then tell us—did the ending land, and where does this monster rank in your GDT canon?If you enjoy the show, follow the pod, share with a friend, and leave a quick review. Your support helps more listeners find conversations where movies still matter.Support the showMax's Letterboxd Alex's Letterboxd ETI Instagram
--------
1:24:48
--------
1:24:48
Filmmaker Interviews LIVE from the 2025 Gig Harbor Film Festival
Send us a textFive conversations. One weekend that proves short films can carry more than most features. We sat down at the Gig Harbor Film Festival with filmmakers who turned everyday pressure into unforgettable cinema—starting with a travel-phobe who literally becomes a shoe. That hybrid live action-animation pivot wasn’t a gimmick; it was a smart, budget-aware way to visualize dissociation, sharpened by a one-man animation army and razor-sharp improv that had audiences grinning at micro-expressions and airline absurdity.We then move into a quiet chill that lingers: a brother and sister return home in The Graves, where delayed grief sneaks up like a reflection you’d rather not catch. Built from a deeply personal experience, the film embraces constraint as design—an Airbnb with character, a ghost born from a flashlight test, and sound that makes broad daylight feel haunted. The lesson travels beyond festivals: think audience-first, from thumbnails to retention, because distribution is a creative choice.Around a campfire, I Hope You’re Happy maps the stages of grief onto friendship under the shadow of the opioid crisis. Tight writing, Zoom rehearsals, and a score woven from a diegetic ukulele tune create an “earned silence” when credits roll—proof that intimacy and careful sound can carry weight in minutes. Float and Fly lifts that intimacy into the sky with community-fueled aviation: first-time actors, wing-mounted cameras, and Gig Harbor vistas that remind you how place can become subtext for healing and courage.Finally, An Old Friend delivers a cathartic twist: an imaginary friend assigned to a man at the end of his life. The crew let improvisation breathe, then sculpted time in the edit with sound design that thins the world to breath and memory. With a shelf of festival awards and an Oscar-qualification push underway, the team shares the unglamorous truth—DCPs, captions, qualifying runs, and the real costs behind a campaign—while still savoring packed rooms and new colleagues made along the way.If you love craft talk, practical hacks, and stories that punch above their runtime, press play. Subscribe, share this with a filmmaker friend, and leave a review with the short you’d expand into a feature—we’ll read our favorites on the show.Support the showMax's Letterboxd Alex's Letterboxd ETI Instagram
--------
1:18:10
--------
1:18:10
ETI Movie News: Robert Redford's Legacy, Studio Shifting and Previewing the Gig Harbor Film Festival
Send us a textThe landscape of Hollywood is shifting before our eyes. From massive studio consolidations to the passing of icons, Alex and Max dive deep into what these changes mean for the future of cinema.Following a month-long hiatus, the hosts catch up on industry news that could fundamentally alter how movies reach audiences. Skydance's acquisition of Paramount and potential bid for Warner Brothers raises urgent questions: What happens when streaming giants own historic studios? Will theatrical releases survive? The conversation explores how these corporate maneuvers might impact everything from filmmaker careers to streaming libraries.The recent passing of Robert Redford prompts a heartfelt reflection on his immeasurable contributions to American cinema. From his unforgettable performances in classics like "All the President's Men" to founding the Sundance Film Festival, Redford's legacy as actor, director, and independent film champion transcends generations. The hosts share personal connections to his work, including the rarely discussed late-career gem "All Is Lost."With fall festival season underway, excitement builds around potential Oscar contenders. Paul Thomas Anderson's "One Battle After Another" has Hollywood buzzing, with sold-out 70mm screenings and whispers this might finally be his year for directing recognition. Meanwhile, the Gig Harbor Film Festival prepares to showcase everything from documentaries about librarians fighting censorship to films featuring local talent.Between discussions of recent watches like "Lurker" and "Splitsville," the hosts contemplate how streaming has transformed audience relationships with media – drawing parallels to similar shifts in the music industry years earlier. Has Letterboxd's rating system changed how we evaluate films? Are we seeing the beginning of the end for certain viewing experiences?Whether you're a film industry insider or simply love movies, this episode offers thoughtful analysis of cinema's evolving landscape from two passionate, knowledgeable voices who remind us why movies still matter.Support the showMax's Letterboxd Alex's Letterboxd ETI Instagram
--------
1:28:49
--------
1:28:49
A Journey Through Crowdfunding with Filmmaker Ducky Dutkiewiczz
Send us a textThe magic of filmmaking often lies in that sweet spot between meticulous planning and creative spontaneity. Andrew "Ducky" Dutkiewiczz embodies this balance as he joins us to discuss his upcoming short film "Call This Land Mother" – a story about an Irish immigrant recalling his first summer in America and the mysterious girl who can speak to his dead mother.Ducky pulls back the curtain on his crowdfunding journey through Seed&Spark, revealing both the struggles and unexpected joys of this process. "Crowdfunding alone is a career," he explains, describing the constant anxiety of outreach while still needing to function as director and maintain a day job. Yet despite these challenges, he's found a beautiful camaraderie with other filmmakers in similar positions, all "trying so hard to scrape together pennies" for their art.What makes this conversation particularly fascinating is Ducky's exploration of how personal meaning emerged from what began as a simple creative impulse. The film, which blends realistic storytelling with magical elements, eventually connected to his experience as the child of an immigrant. "My mom's an immigrant... I started talking to her and understanding that feeling," he shares, revealing how artists often discover themselves within their work through the creative process.Film buffs will delight in Ducky's breakdown of his top five cinematic influences for this project, ranging from Japanese animation masterpieces to indie darlings like "Submarine" and "Aftersun." These selections offer a window into his artistic vision – one that values the delicate balance between reality and magic, the power of memory, and the significance of place.Ready to support independent filmmaking and be part of bringing this unique vision to life? Visit seedandspark.com/fund/call-this-land-mother or find Andrew on Instagram @AndrewDuckowitz. Every contribution makes a difference, and starting soon, donations will be matched until the project reaches its green light goal!Support the showMax's Letterboxd Alex's Letterboxd ETI Instagram
--------
1:03:54
--------
1:03:54
Zach Cregger’s Weapons
Send us a textWhen 17 children from the same third-grade classroom vanish into the night, a small suburban town becomes the epicenter of a nightmare that defies explanation. "Weapons," Zach Crager's sophomore directorial effort following his breakout hit "Barbarian," delivers a masterclass in atmospheric horror that will leave you checking the locks on your doors.The film's brilliance lies in its unconventional structure, following multiple characters whose lives have been upended by the mass disappearance. We begin with Julia Garner's haunting portrayal of the children's teacher, quickly becoming the town's primary suspect as suspicion and paranoia mount. Just as we settle into her perspective, the narrative shifts to Josh Brolin's grief-stricken contractor, whose son was among the missing. Brolin delivers one of his most compelling performances in years, particularly during nightmarish sequences that blend reality and the supernatural with disturbing fluidity.What sets "Weapons" apart from standard horror fare is how it balances genuine terror with moments of unexpected humor. Crager demonstrates remarkable control over tone, crafting scenes that can transform from laugh-out-loud funny to skin-crawling terror within seconds. The cinematography enhances this unsettling quality, with the camera constantly in motion, creating a voyeuristic feeling that makes viewers complicit in the unfolding horror.The film lovingly channels influences from horror masters – Spielberg's suburban wonderment turned sinister, Carpenter's patient tension-building, Lynch's dream logic – while establishing Crager's unique voice. The soundtrack, featuring both perfectly chosen needle drops and original compositions, elevates each scene whether building dread or amplifying emotional moments.As the mystery deepens and the film ventures into more overtly supernatural territory, "Weapons" asks us to consider what truly lurks behind the façade of suburban normalcy. While some viewers may debate the effectiveness of its third act, the journey is undeniably gripping from start to finish. Don't miss this theatrical experience that reminds us why watching horror with an audience remains one of cinema's most primal pleasures.Support the showMax's Letterboxd Alex's Letterboxd ETI Instagram
--------
1:37:54
--------
1:37:54