Private Life: A New York Review Podcast

In this episode of Private Life, Daniel Mendelsohn joins Jarrett Earnest to discuss his 2025 translation of Homer’s Odyssey and Christopher Nolan’s forthcoming film adaptation, premiering this week. They discuss the debate surrounding the film’s casting, the significance of descriptive language in translations, and the enduring place of Greek literature, history, and aesthetics in gay cultural and intellectual life.  
Daniel Mendelsohn is the Editor-at-Large of The New York Review of Books and the Charles Ranlett Flint Professor of Humanities at Bard. His books include An Odyssey: A Father, a Son, and an Epic (2017), The Lost: A Search for Six of Six Million (2006), and How Beautiful It Is and How Easily It Can Be Broken: Essays (2008). Mendelsohn is also the author of the essay collections Waiting for the Barbarians: Essays from the Classics to Pop Culture (2012) and Ecstasy and Terror (2019), as well as Three Rings: A Tale of Exile, Narrative, and Fate (2022), which were all published by New York Review Books. The paperback edition of his translation of Homer’s Odyssey was released in April by the University of Chicago Press.   
Next week’s episode will be a reading of Mendelsohn’s essay “A Little Iliad,” a review of the film Troy from the Review’s June 24, 2004, issue. You can read that essay and others by Mendelsohn with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.

In this episode of Private Life, the poet and writer Eileen Myles reads Geoffrey O'Brien's essay on Frank O'Hara, ”The Mayakovsky of MacDougal Street,” from The New York Review of Books‘ December 2, 1993, issue. It is read by the poet and writer Eileen Myles. Their work includes the semi-autobiographical book Chelsea Girls (1994), the novel Inferno (2008), and the poetry collection I Must Be Living Twice (2015). 
Frank O’Hara was a writer, art critic, and a leading poet of the New York School who worked as a curator at the Museum of Modern Art. He is best known for his poetry collection Lunch Poems (1964) and “Personism: A Manifesto” (1959).  
You can read “The Mayakovsky of MacDougal Street” by Geoffrey O’Brien and other essays with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.

In this episode of Private Life, Robert Glück joins Jarrett Earnest for a conversation about his books, the characters that shaped his stories, and Geoffrey O’Brien’s essay “The Mayakovsky of MacDougal Street” (published in the Review’s December 2, 1993, issue) on the poet and writer Frank O’Hara. They discuss Glück’s work of postmodern fiction Jack the Modernist (1985), his experimental novel Margery Kempe (1994), and his genre blending book About Ed (2023), all of which were published by New York Review Books.  
Robert Glück is a poet, fiction writer, and editor who cofounded the literary movement New Narrative alongside Bruce Boone in the 1970s. Glück’s books of poetry include La Fontaine (1981) with Bruce Boone, and Reader (1989). His other works include the story collection Denny Smith (2003) and the essay collection Communal Nude (2016). He was the director of San Francisco State’s Poetry Center, served as codirector of Small Press Traffic, and was an associate editor at Lapis Press. 
You can find Robert Glück’s books at nyrb.com or at your favorite bookseller. Read Geoffrey O’Brien’s “The Mayakovsky of MacDougal Street” with a subscription to The New York Review of Books, which, in addition to twenty issues a year, gives you access to our full archive since 1963, searchable on our website.

In this episode of Private Life, Langdon Hammer reads Helen Vendler’s essay, “Chronicles of Love and Loss,” from the May 11, 1995, issue of The New York Review of Books. The essay reviews James Merill’s posthumous collection of poetry, A Scattering of Salts (1995), as well as his poem “The House Fly,” published in the May 13, 1982, issue of the Review. 
Langdon Hammer is the Niel Gray Jr. Professor of English at Yale and the author of James Merrill: Life and Art. He has reviewed biography and poetry for the Review and has written about the poet Elizabeth Bishop.  
Helen Vendler was an academic and literary critic, known for her contemporary poetry criticism. She was the Arthur Kingsley Porter University Professor Emerita in the Department of English at Harvard. Vendler was a contributor to the Review for more than forty years.  
You can read “Chronicles of Love and Loss” with a subscription to The New York Review of Books, which in addition to twenty issues a year, gives you access to our full archive since 1963, searchable on our website.

This episode of Private Life is a reading from the forthcoming New York Review Books collection of Eve Babitz’s writing, Too L.A.: Letters Never Sent (But Some Were), edited and with an introduction by Lili Anolik. It is read by the actress and singer Gina Gershon. Gershon is best known for starring in the films Showgirls (1995), Bound (1996), Face/Off (1997), and The Insider (1999). Her book AlphaPussy: How I Survived the Valley and Learned to Love My Boobs was published earlier this year.  
Eve Babitz (1943–2021) was a writer and artist from Hollywood, California. She wrote the essay collections Eve’s Hollywood (1974) and Slow Days, Fast Company (1977), both reissued by NYRB Classics, and the novel Sex and Rage (1979). NYRB also published I Used to Be Charming (2019), which brought together decades of her uncollected nonfiction. 
 
This reading accompanies last week's Private Life episode featuring Lili Anolik discussing Eve Babitz’s life and legacy. Too L.A.: Letters Never Sent (But Some Were) will be published on June 23, 2026, and will be available at NYRB.com or at a local bookseller.