Is Sinners Still the Best Picture Frontrunner? Plus, Michelle Williams Takes Charge on Dying for Sex
David Sims joins Katey for part 3 of our fall preview series, looking at the major studios and their Oscar lineups, and whether Warner Bros can get their first best picture win in over a decade. Then Katey talks to Michelle Williams about both starring in and executive producing Dying for Sex, and how she learned the hard way which kind of sets she actually wants to be part of.
Prestige Junkie After Party paid subscribers can watch the video version of this conversation and all of our other podcasts. Join us here!
Subscribe to the Prestige Junkie newsletter.
Follow Katey on Letterboxd.
Follow The Ankler.
--------
1:06:01
--------
1:06:01
Julianne Nicholson Knows How to Find the Nicest People in Hollywood
The double Emmy nominee for Paradise and Hacks remembers how she knew she wanted to work with Sterling K. Brown, how she felt brave enough to really go for it on Hacks, and what you really learn after a three-decade career in the business.
Prestige Junkie After Party paid subscribers can watch the video version of this conversation and all of our other podcasts. Join us here!
Subscribe to the Prestige Junkie newsletter.
Follow Katey on Letterboxd.
Follow The Ankler.
--------
23:20
--------
23:20
Fall Preview Part 2: Is It Finally Focus Features's Year? Plus Stephen Graham on Adolescence
Tyler Coates joins Katey and Christopher Rosen to look at the slates for three indie labels owned by studios that all hope to stake their claim in this year's awards race. Searchlight Pictures, the only one of the three to ever win best picture, is hoping to win hearts with Rental Family, while Focus Features is going heavy on auteurs with Yorgos Lanthimos's Bugonia and Chloe Zhao's Hamnet. Meanwhile Sony Pictures Classics has a tried-and-true formula for getting their films in front of voters, and have a heavy historical drama, Scarlett Johansson's directorial debut, and much more.
The episode also includes Katey's conversation with Stephen Graham about his labor of love turned worldwide phenomenon, Adolescence. He calls the experience of making the show like working with a theater troupe, and talks about how he built the confidence to build the series around a series of astonishing single-takes, and why he thinks the show has hit such a nerve since it debuted on Netflix earlier this year.
Subscribe to Prestige Junkie After Party, where you can get video versions of future episodes and lots of special bonus content. Join us there!
Subscribe to the Prestige Junkie newsletter.
Follow Katey on Letterboxd.
Follow The Ankler.
--------
1:13:39
--------
1:13:39
Fall Preview Part 1: Can Neon's Winning Streak Continue?
David Canfield joins Katey and Chris to kick off our five-part fall preview, in which we take a close look at the lineups for every studio that has won best picture in the past 10 years. We're starting, naturally, with reigning best picture champion Neon, who shepherded Anora from Cannes breakout to best picture juggernaut, and are aiming to do it again this year. Can they continue their winning formula? Are they facing challenges from their fellow indie distributors? And can they finally get Elle Fanning the awards season respect she deserves? We get into it all, and much more. Don't forget that this week brings the launch of Prestige Junkie After Party, where you can get video versions of future episodes and lots of special bonus content. Join us there!
Subscribe to the Prestige Junkie newsletter.
Follow Katey on Letterboxd.
Follow The Ankler.
--------
43:49
--------
43:49
The Colbert Cancellation and Late Night’s Existential Crisis
Vulture’s Nick Quah joins Katey to talk about why Stephen Colbert feels like only the first of the late night giants to fall, why podcasts and YouTube shows won’t be able to fully replace what late night has done for decades, and how the Emmys might fit into all of this.
Subscribe to Prestige Junkie After Party.
Subscribe to the Prestige Junkie newsletter.
Follow Katey on Letterboxd.
Follow The Ankler.
A weekly podcast hosted by The Ankler's awards editor Katey Rich, featuring lively and endlessly curious discussion of the film and television awards races and the business that surrounds them. Episodes will also include interviews with top awards contenders and the major players in the races that make Hollywood run.