You, Me and An Album

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Los Angeles-based singer, songwriter, YouTuber, poet and satirist Bossi joins Al for a rare double album deep dive, as she talks about Bruce Springsteen’s 1980 release The River. Bossi discusses her Springsteen fandom, which dates back to her childhood, and she explains why The River has been one of her favorite albums for decades. She explores the prominent themes of The River and illustrates how many of those themes are present in her own work, particularly on her latest album Tell All the Other Girls. Bossi also talks about her Finishing School for Difficult Women video series and how it developed from its beginnings as a part of the rollout for Tell All the Other Girls.
You can explore the many facets of Bossi’s work in the following places:
www.iambossi.com
iambossi.bandcamp.com
www.houseofbossi.com
Instagram and TikTok: @iambossiofficial
Substack and YouTube: @iambossi

Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. 
To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.
Excerpts from episodes are now available on YouTube at @YouMeAndAnAlbum. Please consider subscribing and liking!
Al has put a pause on publishing new Bonus Tracks episodes, but you can listen to the past ones at the You, Me and An Album Patreon for $1/month. Just go to www.patreon.com/youmealbum.
1:19 Bossi’s introduction
2:09 Bossi is a big believer in the album format
4:21 Bossi’s father was instrumental to her Springsteen fandom
6:45 Bossi explains how a Springsteen concert changed her life
11:05 Bossi talks about why “The Price You Pay” is a special song for her
16:22 “Two Hearts” is another track where Springsteen explores the theme of “keeping the spark alive”
17:43 Bossi explains how The River is a hopeful album, despite its many bleak moments
21:35 Bossi notes the parallels between the themes on The River and in her own music
25:25 Al and Bossi talk about the masculinity of Springsteen’s songs and image
31:09 Al thinks The River should be a single album
33:23 Bossi talks about an ongoing emotional connection she has with one of Springsteen’s songs
35:52 Bossi highlights some of her favorite tracks from the second half of the album
40:23 Bossi talks about the role of memory in Springsteen’s songs as well as in hers
45:53 Bossi and Al contrast the feel of the two discs of the album
48:10 Bossi and Al note the similarities in the sequencing between The River and Tell All the Other Girls
52:37 Bossi explains why she didn’t end Tell All the Other Girls with “Hold On”
55:43 Bossi admires how Springsteen sometimes sets heavy lyrics to upbeat music
58:25 Bossi explains how her Finishing School videos grew out of her process of rolling out Tell All the Other Girls
1:06:13 Bossi’s Finishing School character had its roots in some of her earlier performances
1:07:50 Bossi talks about her intent in creating the Finishing School videos and Substack
1:13:11 Bossi discusses the House of Bossi
1:16:39 Bossi explains why she chose “Bossi” as her artist name

Outro music is from “Run Baby Run” by Bossi.
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For this week’s album deep dive, Brazilian-born, Brooklyn-based musician, songwriter and video game designer Rafael Melo (who records and performs as Late Again) chose Arthur Verocai’s 1972 self-titled album. Rafael talks about how he first came across Verocai’s music and why he connected with this album instantly. He also delves into why he takes inspiration from Verocai’s music and career and how he came to collaborate with the Brazilian maestro on the song “People Pleasers.” Rafael discusses his soon-to-be-released EP I Dreamt I Was Awake (out September 4) and the upcoming debut Late Again album.

There are lots of places online where you can check out Late Again and follow Rafael…

Website: www.imlateagain.com
Bandcamp: imlateagain.bandcamp.com/
Instagram: @lateagainsta
YouTube: @reallylateagain
Spotify: Late Again
TikTok: @reallylateagain
Soundcloud: @reallylateagain

Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. 
To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.
Excerpts from episodes are now available on YouTube at @YouMeAndAnAlbum. Please consider subscribing and liking!
Al has put a pause on publishing new Bonus Tracks episodes, but you can listen to the past ones at the You, Me and An Album Patreon for $1/month. Just go to www.patreon.com/youmealbum.
1:15 Rafael’s introduction
2:56 Al explains why his reaction to the album left him feeling a little stupid
4:20 Rafael talks about how he first got exposed to Arthur Verocai
8:51 Rafael hears Verocai’s voice through his arrangements
10:41 Rafael considers why Verocai’s music wasn’t discovered by many until decades after being released
14:13 Al and Rafael note the album’s eclecticism
17:56 Discovering Verocai was part of a larger exploration of Brazilian music for Rafael
21:33 Rafael explains how his collaboration with Verocai happened
27:04 Al found a surprise in the album’s credits
29:49 Rafael and Al appreciate Verocai’s vocals
31:26 Rafael picks his favorite tracks from the album
35:42 Al and Rafael discuss how “Na Boca do Sol” was sampled by several artists
37:42 Rafael and Al sort out their mixed feelings about sampling
39:49 Rafael finds inspiration in Verocai’s story
42:41 Rafael talks about the various musical elements in I Dreamt I Was Awake
46:28 Rafael discusses some songwriting challenges he gave himself
47:55 Rafael explains why he has not released a full album yet
51:25 Rafael provides an update on the upcoming Late Again album
52:49 Rafael talks about the many facets of his professional life
55:40 Rafael discusses his upcoming tour

Outro music is from “Crazy or Stupid” by Late Again.
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This week’s guest is Portland-based singer, songwriter, author, podcaster, educator and visual artist Laura Veirs, and she chose the 2021 release Promises by Floating Points, Pharoah Sanders and the London Symphony Orchestra for her album deep dive. Laura talks about her recent explorations of EDM and how that led her to listening to Floating Points and, ultimately, to Promises. She discusses the elements of Promises that make it an enthralling listening experience for her, as well as how the album has helped to her to reconnect to her own music. That reconnection resulted in the making of Temple Songs (released Aug. 14), and Laura delves into her process of writing and recording songs for the album.

There are many ways to keep up with Laura online!
lauraveirs.com
@lauraveirs on Instagram, Facebook and X
@_lauraveirs_ on Tiktok
@RavenMarchingBandLauraVeirs on YouTube

Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. 
To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.
Excerpts from episodes are now available on YouTube at @YouMeAndAnAlbum. Please consider subscribing and liking!
Al has put a pause on publishing new Bonus Tracks episodes, but you can listen to the past ones at the You, Me and An Album Patreon for $1/month. Just go to www.patreon.com/youmealbum.
1:22 Laura’s introduction
2:38 Laura discovered Promises by way of Floating Points’ EDM work
5:06 Laura was also drawn to the album due to her interest in Pharoah Sanders
7:45 Laura talks about the relationship between Sam Shepherd and Sanders
9:32 Laura was impressed by the use of silence and human noises on Promises
14:16 Laura hears some elements of EDM in Promises
17:50 Laura revisits the moment when she decided to pick this album
19:39 Listening to the album sparked a greater interest in Floating Points and Pharoah Sanders
21:53 Promises helped Laura to reconnect with music after a period of burnout
25:00 Laura talks about how she wound up making Temple Songs
27:43 Laura focused on her performances and not on gear when making her album
32:18 Laura explains why she didn’t mix Temple Songs
36:27 Laura talks about the “No Masters” theme of Temple Songs and why she decided not to make that the name of the album
44:41 Laura discusses the upcoming reissued version of the case/lang/veirs album
47:57 Laura talks about her videos and upcoming tour dates

Outro music is from “Arc Still Bends” by Laura Veirs.
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On this episode, Kelley Dugan and Mina Walker of Daisy the Great drop by YMAAA. For their chosen album deep dive, they selected Fiona Apple’s 2005 release Extraordinary Machine. Kelley and Mina talk about their respective musical journeys with the album, from how they individually discovered and got hooked on it to how they collectively take inspiration from Apple’s songwriting and performances. They also chat with Al about their own latest album, The Rubber Teeth Talk with Friends, and why they decided to remake the songs from their 2025 album The Rubber Teeth Talk.

You can keep up with Daisy the Great via their website daisythegreat.com, as well as on the following social media accounts.
Instagram and Facebook: @daisythegreatband
YouTube and TikTok: @daisythegreat

Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. 
To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.
Excerpts from episodes are now available on YouTube at @YouMeAndAnAlbum. Please consider subscribing and liking!
Al has put a pause on publishing new Bonus Tracks episodes, but you can listen to the past ones at the You, Me and An Album Patreon for $1/month. Just go to www.patreon.com/youmealbum.
1:18 Kelley and Mina’s introduction
2:08 Mina and Kelley talk about listening to the Jon Brion version of Extraordinary Machine
7:08 Mina and Kelley explain how they chose Extraordinary Machine for this episode
9:55 Mina recounts how she first encountered Extraordinary Machine
13:31 Kelley talks about first discovering Apple early in high school
15:54 Kelley, Mina and Al explore the theatrical side of Apple’s music
17:48 Kelley talks about what makes Extraordinary Machine stand out among Apple’s albums
20:26 Kelley, Mina and Al all view “Tymps” as a standout track
23:17 Mina explains how Apple’s rhythms accentuate her lyrics
24:32 Mina took some lessons about songwriting from the album
28:50 Kelley and Mina discuss the parallels between Apple’s music and their own
33:58 Mina and Kelley consider whether quirkiness is part of Apple’s appeal
37:10 Al was mystified the first time he had ever heard Apple
39:33 Kelley appreciates the tactile quality of Apple’s vocals
42:17 Kelley explains why she decided to go to school for theater
45:00 Kelley and Mina discuss how they came to create Daisy the Great
52:27 Mina and Kelley explain why they remade The Rubber Teeth Talk
1:01:24 Kelley and Mina talk about their upcoming plans

Outro music is from “Mary’s at the Carnival (Lutalo remix)” by Daisy the Great.
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Texas-based singer-songwriter Candace Hastings takes us on this week’s album deep dive, as she introduces Al to Adam Carroll’s 2000 album Lookin’ Out the Screen Door. Candace talks about first getting to know Carroll when he was a student in her creative writing class at Tyler Junior College in east Texas, and what it was like to first hear Lookin’ Out the Screen Door. She also talks about what she appreciates most about Carroll’s songwriting and how he helped her to restart her own musical career. Candace also chats with Al about her recently-released album Soft Place to Land, and how Carroll was instrumental to her writing one of the tracks.

You can keep up with Candace online in the following places:
https://www.candacehastings.com/
https://candacehastings.bandcamp.com/
Instagram and YouTube: @candacehastingsmusic

Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. 
To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.
Excerpts from episodes are now available on YouTube at @YouMeAndAnAlbum. Please consider subscribing and liking!
Al has put a pause on publishing new Bonus Tracks episodes, but you can listen to the past ones at the You, Me and An Album Patreon for $1/month. Just go to www.patreon.com/youmealbum.
1:28 Candace’s introduction
2:12 Candace talks about her history with Carroll, beginning with him being a student of hers
6:00 Candace explains why she chose Lookin’ Out the Screen Door for this episode
7:57 Al and Candace discuss how “Sno Cone Man” exemplifies Carroll’s songwriting acumen
11:05 “Race Car Joe” shows a different side of Carroll’s songwriting
14:06 Al talks about the premise of this show
16:08 Candace revisits her first experience with listening to the album
18:23 Candace discusses how Adam helped her to re-launch her music career
23:19 Candace highlights “Screen Door” as a standout track
26:00 Candace pinpoints what she likes about Carroll’s songwriting
29:14 How autobiographical is “Errol’s Song”?
32:49 Candace talks about a special aspect of Carroll’s live shows
34:08 Candace explains why Carroll introduces his songs
36:12 Al appreciates the variety of moods on the album
38:35 Candace talks about how one of Adam’s workshops helped her to write “Come Home”
43:41 Candace discusses the sentiment behind a lyric from “Come Home”
46:12 Candace explains how her songs reflect her feelings of separation and belonging
54:54 Candace talks about her plans for the next several months

Outro music is from “Too Damn Hot” by Candace Hastings.
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