E59 • Breaking Taboos and Crafting The Anti-Heroine • Nina Knag, dir. of ‘Don’t Call Me Mama’ at Karlovy Vary, Crystal Globe Competition
Nina Knag’s debut feature, Don’t Call Me Mama, which marks her arrival as a bold new voice in cinema, just premiered at the Karlovy Vary International Film Festival in the Crystal Globe competition. She tackles the taboo subject of relationships between older women and younger asylum seekers through the lens of complex, unapologetic female anti-heroes. Drawing from personal insight and the influence of trailblazing female filmmakers, Knag crafts a story where the setting becomes an active force in shaping narrative and theme. She emphasizes the importance of deep collaboration with actors, embracing improvisation and authenticity to capture the complex realities of human relationships. For Knag, filmmaking is as much about the journey as the final cut—each challenge, misstep, and success feeding into a creative process that demands vulnerability, resilience, and a refusal to compromise the heart of the story.Past films discussed include The Hunt (2012, dir. Thomas Vinterberg), After the Wedding (2006, dir. Susanne Bier), Fish Tank (2009, dir. Andrea Arnold), and the short Wasp (2003, dir. Andrea Arnold).What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
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