Past Present Feature with Marcus Mizelle

Ben Russell delves into the concept of observational cinema, sharing insights on his latest co-directing effort “Direct Action” (with Guillaume Cailleau), which portrays a radical activist community in France. It debuted at Berinale and just screened at the New York Film Festival. Past films discussed include Kirsten Johnson’s “Cameraperson” and the observational films of Frederick Wiseman and The Maysles Brothers.Ben shares his experience transitioning as a filmmaker from America to France, exploring the differences between American and European cinema, and the impact of public funding on film production. The discussion also touches on filmmaking techniques, audience engagement, and the importance of creating context for films. Ben emphasizes the power of cinema to inspire action and reflection, advocating for a more immersive and community-oriented approach to filmmaking.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

In this conversation, Egil Pedersen reflects on his experiences growing up in a small Norwegian village and how he transitioned from short films to his first feature film, “My Father's Daughter,” the first-ever Sámi-language premiere at the Toronto International Film Festival. His cinema inspirations include David Lynch’s “Twin Peaks” and “Show Me Love” (orig title: Fucking Amal) directed by Lukas Moodysson. Egil touches on the challenges and opportunities in the Norwegian film industry, the importance of cultural representation, and the evolution of his creative process. The discussion also delves into the nuances of humor in film and the intricate relationship between comedy and drama, exploring how these genres can intersect and enhance storytelling. He also discusses the importance of identity in his film, the challenges of navigating film festivals, and the excitement of future projects, all while reflecting on the inspirations that have shaped his filmmaking journey.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

In this conversation, Erik Poppe - the director of “Quisling - The Final Days”, which just premiered at TIFF following the Norwegian Film Festival, discusses his journey from photojournalism to filmmaking, emphasizing the role of art in raising questions and engaging audiences. He reflects on his influences, including Francois Truffaut’s 1970 film ‘The Wild Child”, the importance of personal narratives, and the challenges of portraying controversial characters - how creating empathy for these characters can be challenging yet rewarding.Erik also shares his insights on his filmmaking process, the significance of preparation for film festivals, and how art's primary role is to provoke thought and discussion - through simplicity and truthfulness.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

In this episode, Afolabi Olalekan discusses the vibrant Nigerian film industry, dubbed Nollywood, and his latest film, Freedom Way, which premiered at the Toronto Int. Film Festival. His past inspirations include Cary Fukunaga’s ‘Beasts of No Nation’ and ‘The Boy Who Harnessed the Wind’, directed by Chiwetel Ejiofor.Afolabi shares the challenges he and his crew faced during production, such as police corruption and the need to swap out his lead actors halfway through filming. He also stresses the importance of using storytelling to create social change, highlighting the power of cinema to address societal issues.Afolabi reflects on his journey as a filmmaker, and the personal growth experienced through his creative process. He also talks about his future projects and the significance of film festivals like TIFF.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature