FilmWeek

The TCM Classic Film Festival is back! With films including Abbott And Costello Meet Frankenstein (1948), Confessions Of A Nazi Spy (1939), Dangerous Liaisons (1988), The Misfits (1961), and a special Opening Night Gala presentation of Barefoot in the Park (1967) introduced by Jane Fonda. This year’s honorees include actresses Glenn Close and Barbara Hershey, and songwriter and composer Paul Williams. This week on FilmWeek, Larry Mantle is joined by TCM’s SVP of Programming, Charles Tabesh and TCM host, Ben Mankiewicz, to talk about the festival and its film line-up.
The TCM Classic Film Festival is from April 30 to May 3. Festival passes are available at filmfestival.tcm.com. Tickets for individual screenings are also available.
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Larry Mantle and LAist film critics Beandrea July and Christy Lemire review this weekend’s latest movie releases in theaters and on streaming platforms.
Films:
Michael, Wide Release
Over Your Dead Body, Wide Release
Ricky, In Select Theaters
Blue Heron, AMC Burbank & the Alamo Drafthouse [DTLA]
Just Sing, Laemmle NoHo
I Swear, In Select Theaters
Something Casual, Laemmle Royal [West LA] April 25|Laemmle NoHo April 24 & 26
Apex, Landmark Westwood|Streaming on Netflix
Fuze, Wide Release
Kangaroo Island, Laemmle Monica Film Center [Santa Monica]
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It's a hard job to explain but seems to be a very easy title to get. The mysterious film producer credit used to go to just a couple people who were integral in a movie's pre- and post-production, but after the consequential Best Picture win for 1998's Shakespeare in Love, the credit of film producer became a title given to people in lieu of other forms of compensation, regardless of how much actual work they contributed to the film. This year marks the PGA's Code of Credits 25th anniversary, created in part due to Shakespeare in Love's unprecedented number of producers. While some "underserving" people may still be credited, the PGA Mark only goes to those who fit their arbitration criteria. On FilmWeek, we delve into the allusive title of "film producer" and how the credit has changed over the years with Deadline senior TV and labor reporter Katie Campione. She's the author of the piece "How ‘Shakespeare In Love’s Best Picture Win Inspired The PGA’s 25-Year Effort To Answer One Question: Who Is A Producer?"
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Larry Mantle and LAist film critics Lael Loewenstein and Peter Rainer review this weekend’s latest movie releases in theaters and on streaming platforms.
Films:
Mother Mary, In Select Theaters
Balls Up, Streaming on Prime Video
Steal This Story, Please!, Laemmle Glendale, Laemmle Royal & Art Theatre Long Beach
Lorne, Wide Release
Normal, Wide Release
Erupcja, Landmark Nuart Theater [West LA]
Changing Lanes, In Select Laemmle Theaters
Mabel, Available on Digital & VOD
Immigrant Songs: Yiddish Theater and the American Jewish Experience, Streaming on select platforms
A Gorilla Story: Told by David Attenborough, Streaming on Netflix
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During World War II, Hitler recognized the power that Hollywood held as a tool for propaganda. So much so that he sent Nazi agents to L.A. to infiltrate the studios. In his new book, Hollywood vs. Nazis: How the Movie Studios Took on Nazis Infiltrating Los Angeles, author Michael Benson, tells the story of how one entertainment lawyer spearheaded the defense against Hitler’s pro-Nazi propaganda in Hollywood. Today on FilmWeek, Larry Mantle speaks with Benson about his book and this interesting intersection in movie history.
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