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The Daily Poem

Podcast The Daily Poem
Goldberry Studios
The Daily Poem offers one essential poem each weekday morning. From Shakespeare and John Donne to Robert Frost and Emily Dickinson, The Daily Poem curates a bro...

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5 of 993
  • G. K. Chesterton's "Stilton and Milton"
    Today’s poem, whose full title is “Stilton and Milton; Or Literature in the 17th and 20th Centuries,” has something for book lovers and cheese lovers alike to dig in to. Chesterton once wrote that “poets have been mysteriously silent on the subject of cheese,” and he then set about rectifying that state of affairs through poems like these. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
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  • John Keble's "The Accession"
    Today’s poem, though written for the far more infrequent crowning of monarchs, contains plenty of sentiments fitting for a quadrennial presidential inauguration. Happy reading.On a pillar on the west wall of Poets' Corner in Westminster Abbey is a white marble bust to poet and clergyman John Keble. The bust is signed and dated by Thomas Woolner, 1872 and is just inscribed 'JOHN KEBLE'. The memorial was originally much more elaborate and was in the south west tower chapel of the nave (now St George's chapel), placed between Dr Thomas Arnold and William Wordsworth. The bust, on a foliated corbel, was set within a decorated oval frame set with jewels with two small pillars either side of the bust. Above was a decorated cross and below a square tablet with the inscription:In memory of John Keble, author of the Christian Year. Born 1792. Died 1866. In quietness and in confidence shall be your strength. Isaiah xxx.15. He rests in peace at Hursley of which he was Vicar 30 years.When the chapel was redesigned in 1932 the memorials there were all moved - Arnold to the north west nave chapel and Wordsworth to Poets' Corner. Only the bust of Keble was retained and mounted on a new Purbeck marble bracket in the Corner.He was born at Fairford in Gloucestershire on 25th April 1792, son of the Reverend John Keble and his wife Sarah (Maule). After education at home he attended Oxford University. In 1827 he published his popular work The Christian Year. He was professor of poetry at Oxford and became rector of Hursley in Hampshire in 1836. With Newman and Pusey he instigated the Oxford Movement. He married Charlotte Clarke but there were no children. He died on 29th March 1866 and is buried at Hursley. Keble College in Oxford was founded in his memory.-bio via Westminster Abbey This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
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  • Yvor Winters' "At the San Francisco Airport"
    Though not yet the Dantesque hells that they are today, airports in 1954 were already places of union, separation, and general existential anxiety. This meditation comes from a serious and sphinx-like Winters at the height of his poetic development–though not yet at his own “terminal,” here he is a man who already has plenty to look back on. Happy reading.(Arthur) Yvor Winters was born in Chicago on October 17, 1900. While studying at the University of Chicago he was diagnosed with tuberculosis and decided to relocate to Santa Fe, New Mexico, for the sake of his health. His early poems, published in 1921 and 1922, were all written at a tuberculosis sanitarium. He enrolled at the University of Colorado in 1925, where he earned his bachelor’s and master’s degrees. In 1926, he married the poet and novelist Janet Lewis. He spent two years teaching at the University of Idaho in Moscow before entering Stanford University as a graduate student, receiving his PhD in 1934. From 1928 until his death, he was a member of Stanford’s English department.Winters’s books of poetry include The Early Poems of Yvor Winters, 1920–1928(Swallow Press, 1966); Collected Poems (1952; revised edition, 1960), winner of the Bollingen Prize; Poems (Gyroscope Press, 1940); Before Disaster (Tryon Pamphlets, 1934); The Proof (Coward-McCann, Inc., 1930); and The Immobile Wind (M. Wheeler, 1921). In Defense of Reason (Swallow Press, 1947), Winters’s major critical work, is a collection of three earlier studies: The Anatomy of Nonsense (New Directions, 1943); Maule’s Curse (New Directions, 1938); and Primitivism and Decadence (Arrow Editions, 1937).Winters was also a prolific and controversial critic who believed that a work of art should be “an act of moral judgement” and attacked such literary icons as T. S. Eliot and Henry James. The chair of the Stanford English department notoriously denounced Winters as a “disgrace to the department.”Winters’s honors include a National Institute of Arts and Letters award as well as grants from the Guggenheim Foundation and the National Endowment for the Arts. He died on January 25, 1968, in Palo Alto, California.-bio via Academy of American Poets This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
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  • Billy Collins' "Thesaurus"
    If hot takes about synonyms are your cup of tea, favorite, darling, jam, or weapon of choice, then today’s poem is for you. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
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  • John Davies' "Nosce Teipsum: of Human Knowledge"
    We that acquaint ourselves with every zone,And pass both tropics and behold the poles,When we come home, are to ourselves unknown,And unacquainted still with our own souls.Today’s poem is Davies’ lengthy meditation on what man can know and what he could stand to learn. Happy reading.Poet and lawyer Sir John Davies was born in Wiltshire and educated at Winchester College and Queen’s College, Oxford, though historians disagree about whether he graduated. In 1588, he enrolled in the Middle Temple, where he studied with John Donne, and was called to the bar in 1595. In addition to his legal study, Davies wrote poetry, notably Orchestra, or, A Poeme of Dancing (1596). Davies’s other works include a series of epigrams drawn from his youthful misadventures; Nosce teipsum (1594), a poetic treatise on the immortality of the soul; and Hymnes of Astraea in Acrosticke Verse (1599),an acrostic poem spelling the words Elisabetha Regina. Davies also contributed poetic dialogues to Francis Davison’s Poetical Rhapsody(1602). His Collected Poems appeared in 1622. It is thought that Davies accompanied King James to Scotland after Queen Elizabeth’s death in 1603. Eventually knighted by the king, Davies was made solicitor general for Ireland and emerged as a champion of legal reform in Ireland. He attempted to lay the grounds for a strong civil society, albeit one that benefited England and English rule in all cases. Davies helped cement pro-English property laws and advocated the expulsion of Catholic priests to shore up Protestantism. He was appointed speaker in the Irish Parliament in 1613 and presided over the first Protestant majority. He returned to England and served in the Parliament of 1621. Charles I appointed Davies lord chief justice in 1626, but he died just before officially taking office. John Donne gave his funeral oration. Davies was buried in St. Martin-in-the-Fields.-bio via Poetry Foundation This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
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About The Daily Poem

The Daily Poem offers one essential poem each weekday morning. From Shakespeare and John Donne to Robert Frost and Emily Dickinson, The Daily Poem curates a broad and generous audio anthology of the best poetry ever written, read-aloud by David Kern and an assortment of various contributors. Some lite commentary is included and the shorter poems are often read twice, as time permits. The Daily Poem is presented by Goldberry Studios. dailypoempod.substack.com
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