No Ceilings with Glasses Malone

In this episode of No Ceilings, Glasses Malone breaks down why audio podcasting creates more room for context and nuance than live video streaming, reflecting on how a clipped comment about Pelo was misrepresented online. He distinguishes truly “listening” from simply “hearing,” explaining that his approach to music and media is designed to make audiences think, question perspectives, and develop empathy rather than manufacture emotional reactions. Glasses also reveals his evolving long-term vision for music, detailing a five-to-ten-year strategy around Ultraviolet and an ambitious four-quarter rollout for 110 Custom Culture. He discusses streaming goals, significant marketing investments, and how years of studying the business and working across different shows have strengthened his confidence as an independent artist and entrepreneur.
The conversation shifts to Los Angeles culture and controversy surrounding Barrios Athletics’ proposed 5K near Leimert Park, with Glasses arguing that a conversation about local vendors and community participation became part of a much larger debate over gentrification, immigration, and Black economic frustration. He examines why legitimate concerns about displacement and unequal opportunity can become distorted into anti-immigrant or nationalist rhetoric, while emphasizing the need to keep the focus on systemic anti-Blackness rather than turning marginalized communities against one another. Connecting media literacy, cultural preservation, economics, and community accountability, Glasses challenges listeners to move beyond reactionary narratives and think critically about what meaningful change should actually look like.
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In this episode of No Ceilings, Glasses Malone breaks down his vision for a new vertical 9:16 mobile series built specifically for phones, featuring fast-paced episodes under two minutes. Inspired in part by the original Gone in 60 Seconds and experiences from his youth, the concept follows a group of older friends who come out of retirement to steal cars, blending street storytelling, filmmaking, and short-form digital entertainment. Glasses explains how the format could introduce a different approach to scripted content while creating stories designed for how audiences increasingly consume entertainment on mobile devices.
The episode then shifts to a prison call with filmmaker and actor Omar Ray, also known as Suge Gotti, from Ironwood State Prison, with Lex Diamonds joining the episode. Omar discusses the December 2020 murder case that ultimately led to his 2024 arrest and conviction, while disputing the prosecution's account and alleging inconsistencies involving witness statements, investigators, and the state's proposed drug-deal motive. He shares his perspective on his legal representation, says he is currently appealing the conviction and seeking a new trial, and reflects on the impact incarceration has had on his family and future. Despite his circumstances, Omar emphasizes his history of community involvement and remains focused on returning to filmmaking, youth football outreach, and rebuilding his life if given another opportunity.

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In this episode of No Ceilings, Glasses Malone and the crew dive into a hilarious yet surprisingly passionate debate over one question: Can Ray J actually sing? What begins as a bold comparison from special guest Sega quickly turns into a spirited conversation about vocal ability, artistry, and what truly defines a great singer. Using performances and career highlights from artists like Ray J, Michael Jackson, Bobby Brown, Keith Sweat, Ginuwine, Frank Ocean, and Taylor Swift, the crew debates the difference between vocal talent, tone, performance, and making hit records, with Sega passionately defending Ray J's vocal ability while the rest of the panel remains unconvinced.
The lively conversation explores how audiences judge artists, whether technical vocal skill matters more than musical impact, and why some performers become stars despite criticism of their singing. As the debate escalates, the crew challenges Sega to produce undeniable evidence of Ray J's vocal prowess, leading to one of the show's funniest exchanges. Later, special guest P Wilson joins the conversation to discuss his music, introduce himself to listeners, and talk about collaborating with Glasses Malone on their record, "Reflections," adding another layer to an episode filled with music history, spirited opinions, and signature No Ceilings humor.

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Glasses Malone breaks down the real difference between growing up broke in Compton versus Watts, why proximity to violence isn't the same as poverty, why he became a gang member, and how you can tell which of your homies had it worse just by walking into their house. It's a look at how trauma and survival shape who people become, wrapped around an hour of a full-on trial over whether King is a real foodie (tartar sauce is Exhibit A), plus a deep dive on the greatest El Camino ever built.
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In this episode of No Ceilings, Glasses Malone and the crew dive into the intersection of hip-hop, fashion, and branding, highlighting Shara and Kev's creative work while debating why simplicity often makes the strongest statement in merchandise design. Glasses breaks down standout pieces from the 110 and Cancel collections, including the raised "T" hat, and explains why overly complicated designs can weaken a brand's identity. The conversation also offers an update on the long-awaited 110 album, plans to complete the project with Akon, and a vision for expanding 110 into a lifestyle movement through merchandise inspired by drag-racing culture with appeal beyond hip-hop.
The discussion shifts to West Coast music history as the crew celebrates new music from Kurupt and Battlecat, recognizing Battlecat as one of the architects of the Los Angeles sound and calling for more producer-artist collaborations in the tradition of Battlecat, Snoop Dogg, and Warren G. They also examine hip-hop's DJ and producer-driven origins, how record labels shifted attention toward rappers, and why accountability, loyalty, and collective creativity remain essential to the culture. Ultimately, Glasses explains how 110 represents more than music or merchandise—it's a movement built around togetherness, authenticity, and preserving the values that made hip-hop powerful.
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