Bookends with Mattea Roach

Anita Rau Badami’s new novel, Asha in Her Garden, is her first in over a decade … and it all started with the striking image of a dying tree. On her seventieth birthday, Asha Mohan’s beloved backyard maple tree is cut down. As she watches it disappear, Asha begins to look differently at the life she’s spent years building. From her move to Canada from India, to the trials of raising her children to an act of violence that changed the family forever, Asha’s garden becomes a space for her to reflect on how she built her family and where she can go now. This week, Anita joins Mattea Roach to talk about the real tree that inspired the book, the maze of memory and a character called “The Hag.”

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Why writing a novel is like riding a horse
What does dystopia look like in the suburbs?

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Imagine the pressure of being the only woman working on an offshore oil rig. That was the reality for Y.M. Abdel-Magied … and she turned her years in the field into a thrilling novel about oil, power and survival on the water. At Sea follows Zainab, a toolpusher who is tasked with leading an all-male drilling crew on an oil rig off the coast of Australia. As Zainab navigates the complicated power dynamics of her role, she begins to uncover signs of catastrophe that could devastate the ocean around her and threaten the lives of everyone on the rig. This week, Y.M. joins Mattea Roach to talk about her experience working on rigs, writing a nuanced story about oil and how everything started with her love of racecar driving.

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A raunchy workplace satire ... about deradicalizing ISIS brides?
Would a tradwife influencer survive in 1855?

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How far would you be willing to go to salvage a friendship? Maybe you just need a small break ... or how about a couples therapist? Téa Mutonji’s new novel, My Person, follows longtime friends Tania and Margot. The two have been friends since childhood, but after living together for a year, Tania realizes she's not sure if she even likes Margot anymore. But leaving is not just as simple as saying goodbye, and a messy, complicated, will-they-won’t-they friendship breakup ensues. This week, Téa joins Mattea Roach to talk about her 2 a.m. writing habits, the push and pull of long-lasting friendships and when it might be time to break up with your best friend.

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Can our friendships age with us?
NOT CLICKBAIT! She stole her dead twin sister’s identity!?

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When Michelle Good’s mother was in her 20s, she changed her name from Martha Eliza to Elizabeth to sound less Indigenous. Michelle’s new novel, Eliza Sunshine, is rooted intimately in her mother’s life … and gives her mother her name back. The novel weaves Eliza’s experiences and Michelle’s family history into a deeply personal story following three generations of Cree women. It’s also informed by Michelle’s experience as a community advocate, lawyer and storyteller … and her mission of keeping Indigenous stories alive. This week, Michelle joins Mattea Roach to talk about why hope is something that moves you forward and the family legacy that inspires this point of view.

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How long could you lie about who you are?
What would it take to become the first Cherokee astronaut?

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The criminal underworld of 1980s New York City. The last heist of a mostly-retired crook. A city battling for its future. Colson Whitehead’s Harlem Trilogy reaches its conclusion with his latest novel, Cool Machine. It follows Ray Carney, a former criminal who's gone mostly straight in his middle age … until he becomes entangled with a legendary criminal mastermind and is yanked back into a world he thought he left behind. The city has a life and a will of its own, and there’s nobody better to explore it than Colson, a two-time Pulitzer Prize winner and lifelong New Yorker. This week, Colson joins Mattea Roach to talk about why he wrote a heist novel, creating a criminal code and if he’ll ever leave New York.

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Should you be afraid of the wolf hour?
Why Tayari Jones fights for her stories

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