About Ghosts is the latest album from Mary Halvorson's Amaryllis, and on our short list for Album of the Year. Before a recent show at Solar Myth, Halvorson sat down with Josh Jackson to talk about her approach to composing for the group, her inspirations, and her fondness for mixology.
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[EXCLUSIVE] Mary Halvorson’s Amaryllis live at Solar Myth
Before our chat with Mary Halvorson drops Tuesday, here’s a treat — a live recording from Solar Myth with her band Amaryllis, including a brand-new WRTI exclusive: “Florid Waning.”
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Charm City, with Brandon Woody
Growing up in the Ramblewood area of northeast Baltimore, Brandon Woody could hardly have envisioned a future as one of the most heralded young trumpeter-bandleaders in jazz. But he dared to dream beyond what he could see — even after dropping out of college in New York. His 2025 Blue Note debut, For the Love of It All, introduces a powerfully emotive artist and a committed working band, Upendo, primed to represent their hometown. Woody sat down with The Late Set just after a set at the Exit Zero Jazz Festival, ready to open up and dig in.
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Radio Repost: esperanza spalding on the magic of Milton Nascimento
We're reposting Nate Chinen’s illuminating conversation with esperanza spalding, which will be featured in the inaugural episode of The Late Set Radio Hour. Tune in on Oct. 26 — Milton Nascimento's 83rd birthday.
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Bebop to Cubop, with the Curtis Brothers
Now both in their 40s, brothers Zaccai and Luques Curtis have amassed a wealth of experience, and the mentorship of elders ranging from Jackie McLean to Eddie Palmieri to Ralph Peterson, Jr..In this lively conversation at the Exit Zero Jazz Festival, the two open up about their upbringing in Hartford, Conn.; the hidden circuitries of so-called Latin Jazz; and the industrious spark that led to Zaccai’s Grammy Award-winning album Cubop Lives!
Jazz is a conversation — and that’s what The Late Set is all about. Nate Chinen and Josh Jackson convene every two weeks for straight talk and in-depth interviews with featured guests. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.
USA