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The Jazz Real Book

Jay Sweet
The Jazz Real Book
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  • Days and Nights Waiting and  Charles Lloyd
    (82) “Days and Nights Waiting” and  Charles Lloyd Standards Rating 2 Difficulty Rating 5 “Days and Nights Waiting,” composed by Keith Jarrett and performed by the Charles Lloyd Quartet, is a harmonically rich tune built on a 32-bar AABA form. Its spacious melody contrasts with intricate II–V-based progressions that tease traditional resolutions, giving soloists wide harmonic freedom. Jarrett’s composition features rhythmic motifs and non-diatonic tonal shifts, supporting lyrical yet adventurous improvisation. Notable recordings include the 1967 Montreux performance by the Charles Lloyd Quartet, showcasing their dynamic interplay and emotional depth.Charles Lloyd, born in 1938 in Memphis, fused blues, gospel, and jazz from an early age. After formative years with legends like Chico Hamilton and Cannonball Adderley, Lloyd formed a groundbreaking quartet with Jarrett, DeJohnette, and McClure. Their crossover appeal brought jazz to wider audiences, notably with Forest Flower. After a retreat from the spotlight, Lloyd returned with profound, genre-blending work. His lifelong pursuit of spiritual and musical truth cements him as a visionary voice in modern jazz.Charles Lloyd Steve Wilson
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  • Stanley Clarke Interview (Replay from 2/14/2023)
    Stanley Clarke is a pioneering American bassist, composer, and producer, widely regarded as one of the most influential jazz fusion musicians of all time. Born on June 30, 1951, in Philadelphia, Clarke revolutionized the role of the bass in contemporary music, bringing it to the forefront as a lead instrument. He gained fame as a founding member of the jazz fusion group Return to Forever, alongside Chick Corea, where his virtuosic electric and acoustic bass playing stood out. Clarke's solo career further showcased his versatility, blending jazz, funk, rock, and classical influences. Albums like School Days and Journey to Love highlighted his technical brilliance and musical innovation. Throughout his career, Clarke has collaborated with artists across genres, from George Duke to Jeff Beck. A multiple Grammy Award winner, he continues to inspire generations of musicians with his groundbreaking work and remains a towering figure in modern bass playing
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  • Day Waves and Stanley Clarke
    (81) “Day Waves” and Stanley Clarke Standards Rating 2 Difficulty Rating 6 “Day Waves,” composed by Chick Corea, is a harmonically adventurous piece first recorded on Stan Getz’s Captain Marvel. Its unique 25-bar form, shifting tonality, and descending melodic lines create a floating, untethered feeling, showcasing Corea’s sophisticated harmonic language. The A section’s sparse, rhythmically tied motifs build tension with colorful extensions, while the B section continues a chromatic descent in the bass, reinforcing the piece’s elusive tonal center. The signature recording features Getz on tenor saxophone, with Corea, Stanley Clarke, Tony Williams, and Airto Moreira creating a vibrant, modern Latin-infused groove. The solos highlight the players’ improvisational mastery, especially Clarke’s brilliant bass lines.Stanley Clarke revolutionized the electric and double bass, transforming it into a virtuosic solo instrument. Rooted in classical double bass yet drawn to the electric’s possibilities, he became a pioneer of jazz fusion with Return to Forever and his groundbreaking solo work. Clarke’s melodic approach, innovative techniques, and fearless exploration inspired generations, solidifying the bass as a central voice in modern music.Stan Getz Chick Corea and Gary Burton Spotify Playlist
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  • Patrick Zimmerli Interview
    Patrick Zimmerli Interview Patrik Zimmerli is an acclaimed American composer and saxophonist known for blending jazz improvisation with contemporary classical forms., Zimmerli has built a reputation for pushing genre boundaries while maintaining clarity and emotional depth in his work. His 2025 trio album Songs of Innocence—featuring pianist Kevin Hays and percussionist Satoshi Takeishi—demonstrates his signature fusion of jazz, classical, and pop influences. The album balances lyrical expressiveness with structural complexity, creating a contemplative and melodic sound world. Zimmerli’s compositions often explore intricate rhythms and layered textures, evident in both his small ensemble work and large-scale commissions for ensembles like Songs of Innocence stands as a compelling example of Zimmerli’s ability to craft music that is both intellectually rich but also appealing to listeners across stylistic boundaries.
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  • Darn That Dream and Dexter Gordon
    (80) “Darn That Dream” and Dexter Gordon Standards Rating 7 Difficulty Rating 6 “Darn That Dream,” composed by Jimmy Van Heusen with lyrics by Eddie DeLange, debuted in the 1939 Broadway jazz musical Swingin’ the Dream and soon became a popular ballad recorded by Benny Goodman, Tommy Dorsey, and others. Built on a rich 32-bar AABA form in G major, the melody weaves ascending and descending lines with poignant tensions, while the harmony shifts chromatically through unexpected II–V progressions, creating emotional depth and tonal ambiguity. Dexter Gordon’s 1964 recording on One Flight Up stands as a signature interpretation, with Gordon’s warm tenor saxophone delivering the melody’s longing character. His improvisation blends bebop sophistication and lyrical phrasing.. This rendition highlights Gordon’s expressive command and exemplifies his resurgence during his European period, capturing  the tenderness and complexity of this timeless jazz standard performed by a jazz legend. Dexter Gordon Sarah Vaughan Spotify Playlist
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About The Jazz Real Book

In this podcast, Jazz History professor, biographer, musician, and popular podcaster Jay Sweet will help guide you through the tunes included in the Jazz Real Book. For decades, this book (often called "The Jazz Bible") has been a resource for jazz musicians looking to learn jazz standards and repertoire. This podcast will discuss essential recordings and details associated with the songs in the Jazz Real Book, the musicians who created the material, and the recordings that inspire jazz musicians and fans worldwide.
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