In this podcast, Jazz History professor, biographer, musician, and popular podcaster Jay Sweet will help guide you through the tunes included in the Jazz Real B...
56- “Ceora” and Hank Mobley
Tenor saxophonist Hank Mobley (1930–1986) was an influential figure in jazz, blending swing, bebop, and post-bop with a warm, lyrical tone. His refined yet assertive style, often overshadowed by contemporaries, earned him recognition as a master of hard bop. Born in Georgia and raised in New Jersey, Mobley began his career in the 1950s, collaborating with legends like Dizzy Gillespie and Art Blakey. His work with Horace Silver and the Jazz Messengers helped define the hard bop sound. Albums like Soul Station (1960) showcased Mobley’s melodic genius and intricate phrasing. "Ceora," a Lee Morgan composition from Cornbread (1967), features Mobley alongside Morgan, Jackie McLean, and Herbie Hancock. This medium bossa nova tune in Ab Major highlights II-V progressions and provides a rich canvas for improvisation. Mobley’s solo on "Ceora" stands out, offering soulful lines and a warm tone that contrasts beautifully with Morgan’s fiery trumpet.
Lee Morgan Version
Steve Grossman Version
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14:31
Captain Marvel and Chick Corea
55- Captain Marvel and Chick Corea
Standards Rating 4, Difficulty Rating 8
Chick Corea (1941–2021) was a legendary jazz pianist, composer, and innovator whose career spanned over five decades. Known for his genre-defying versatility, Corea contributed significantly to jazz fusion, Latin jazz, and other jazz genres. His work with Miles Davis on groundbreaking albums like In a Silent Way and Bitches Brew helped define the jazz fusion movement. Corea also led iconic projects such as Return to Forever, blending jazz, rock, and Latin influences.
"Captain Marvel," one of Corea's standout compositions, epitomizes his adventurous style. The piece showcases Corea's unique ability to merge tradition with innovation, featuring complex harmonies, shifting rhythms, and bold improvisation. Recorded with luminaries like Stan Getz and Stanley Clarke, the 1975 rendition highlights fiery interplay, while the 1973 Light as a Feather version emphasizes Latin-infused energy. "Captain Marvel" is a testament to Corea's enduring genius and impact on modern jazz.
Stan Getz Version
Return To Forever Version
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13:28
Central Park West and McCoy Tyner
54- McCoy Tyner and "Central Park West"
McCoy Tyner (1938–2020) was a groundbreaking jazz pianist known for his work with John Coltrane’s iconic quartet. Tyner's open fourth voicings and modal harmonies became a cornerstone of the group's sound on albums like A Love Supreme and My Favorite Things. After leaving Coltrane, Tyner forged a solo career, creating classics like The Real McCoy while drawing on African and Eastern influences. "Central Park West," from Coltrane's Coltrane's Sound (1964), is a serene ballad showcasing Coltrane's soprano saxophone and Tyner’s impressionistic piano work. The piece employs "Coltrane changes," a harmonic framework that cycles through specific key centers, adding complexity to the 10-bar form. Coltrane’s understated melody allows Tyner to shine, delivering a nuanced solo with rich voicings and fluid phrasing, complemented by Elvin Jones's delicate brushwork and Steve Davis’s steady bass.
John Coltrane Version
Lakecia Benjamin's Version
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12:49
Can’t Help Lovin’ Dat Man and Teddy Wilson
53-“Can’t Help Lovin’ Dat Man” and Teddy Wilson
Standards Rating 7 Difficulty Rating 6
Teddy Wilson (1912–1986) was a groundbreaking jazz pianist who was celebrated for his elegant swing-era style and role in racial integration in jazz. Born in Texas and classically trained in Alabama, Wilson worked with Louis Armstrong and Benny Carter before joining Benny Goodman in 1935. As part of Goodman’s racially integrated ensemble, alongside drummer Gene Krupa and later Lionel Hampton, Wilson helped redefine jazz, highlighted by the historic 1938 Carnegie Hall concert. As a bandleader, he recorded prolifically with iconic vocalists like Billie Holiday and Ella Fitzgerald, offering nuanced accompaniment that enhanced their performances without overpowering them.
"Can’t Help Lovin’ Dat Man," a classic ballad from Show Boat (1927), blends themes of enduring love with bluesy melodies and a 32-bar AABA form. Kern’s use of diminished seventh chords and harmonic shifts to Ab major and F minor enriches its emotional depth, making it a timeless standard in jazz and musical theater. Wilson’s 1937 recording of Jerome Kern’s "Can’t Help Lovin’ Dat Man," featuring Billie Holiday, exemplifies his sophisticated piano artistry. Holiday’s emotive delivery is supported by an all-star ensemble, including Buck Clayton (trumpet) and Vido Musso (tenor sax). Wilson’s light touch and harmonic depth create a rich interplay, shining in his accompaniment and solo passages.
Billie Holiday Version
Oscar Peterson Version
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13:25
Donald Vega Interview
Donald Vega, a celebrated jazz pianist and composer from Nicaragua, continues to captivate audiences with his musical brilliance. His latest album, As I Travel, has garnered a Grammy nomination for Best Latin Jazz Album, showcasing his original compositions. Vega’s meticulous approach shines through, blending intricate grooves with masterful arrangements that offer structure and creative freedom to his ensemble, featuring John Patitucci, Lewis Nash, and Luisito Quintero. In addition, Vega recently released All Is Merry and Bright, a festive Christmas album recorded with Clovis Nicolas and Pete Van Nostrand. This project, born from spontaneity and inspired by jazz greats, highlights Vega’s ability to reimagine timeless classics with fresh, vibrant interpretations.
In this podcast, Jazz History professor, biographer, musician, and popular podcaster Jay Sweet will help guide you through the tunes included in the Jazz Real Book. For decades, this book (often called "The Jazz Bible") has been a resource for jazz musicians looking to learn jazz standards and repertoire. This podcast will discuss essential recordings and details associated with the songs in the Jazz Real Book, the musicians who created the material, and the recordings that inspire jazz musicians and fans worldwide.