Today we look at a sonnet by Gerard Manley Hopkins that dwells equally in the grandeur of God and the wreck made of earth. Hopkins wonders how these two aspects of our world could possibly relate, and he holds out hope for the dearest freshness deep down things.
God's Grandeur
By Gerard Manley Hopkins
The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs —
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.
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Episode 95: Ted Kooser, Student
It's back to school time, and we're back at Poetry For All, heavy with hope for another season. Today we look at a poem unified by an extended metaphor describing a student who makes his heroic way to the library. Short and simple--and so much to love.
This poem comes from Ted Kooser's Pulitzer-Prize winning book, Delights and Shadows, published by Copper Canyon Press in 2004. Thank you to Copper Canyon Press for permission to read the poem for this episode.
For the text of the poem, see here: https://www.versedaily.org/student.shtml
For Ted Kooser's personal webpage, see here: https://www.tedkooser.net/
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Episode 94: Sumer is icumen in
In this episode, we offer a close reading of "Sumer is icumen in," a Middle English song that anticipates the abundant joys of summer.
Thanks to the Pias Group for granting us permission to share the Hilliard Ensemble's rendition of this song. You can find the manuscript that includes the lyrics and music at the British Library (https://blogs.bl.uk/digitisedmanuscripts/2012/06/sumer-is-icumen-in.html).
In this episode, Katy Didden and Abram Van Engen discuss the extraordinary leaps, narrative disjunctions, and temporal frames that fill Diaz's extraordinary ekphrastic poem, a reflection on Bruegel's painting, "Landscape with the Fall of Icarus" written in conversation with W.H. Auden's poem "Musée des Beaux Arts."
"Two Emergencies," appears in My Favorite Tyrants (https://a.co/d/3IUlLmp) (University of Wisconsin Press 2014), winner of the 2014 Brittingham Prize in Poetry.
For more poetry of Joanne Diaz, see also The Lessons (https://a.co/d/bZOFIOp) (Silverfish Review Press 2011), winner of the Gerald Cable Book Award.
For W.H. Auden's "Musee des Beaux Artes (https://www.poetryfoundation.org/poems/159364/musee-des-beaux-arts-63a1efde036cd)" see The Poetry Foundation
This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time.
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