Kelly Corrigan Wonders

Cassia van der Hoof Holstein writes about her cousin Chris, "captain of the cousins" in a family where cousin love means always having a place to go, advice in any time zone, and guides through every storm. She reflects on planning a Passover feast with Chris in Hawaii, their endless conversations about everything and nothing, and how the phrase "blood is thicker than water" doesn't quite capture it—it's not just blood, it's love. Love through a hundred seders, a million text messages, sharing apartments and childcare and sometimes organs. It's about what home means, what gets transmitted and transmuted across generations, and the ocean of cousin love that sustained them both.


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Kelly and Tammy continue their Friday movie tradition, this time exploring humility in The Pursuit of Happyness. They discuss the difference between humiliation—being forced down—and humility—choosing to stay grounded, and how Will Smith's character, Chris Gardener, retains his dignity while losing everything. They talk about being honest when you have every reason to lie, the fine line between owning your struggle without burdening others, and why showing your flaws almost never comes back to bite you the way we fear.

This episode was made possible by a grant from the John Templeton Foundation. To learn more visit: www.templeton.org.

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Kelly sits down with Father Greg Boyle, who has run Homeboy Industries in Los Angeles for nearly 40 years—the largest gang intervention program in the world. They explore humility not as the kind that makes you small, but the kind that sets you free. Father Greg reflects on burying 263 young people and why he keeps count, what happens when someone can't imagine tomorrow, and why gang membership is often a suicide mission in disguise. He talks about the difference between being other-centered and self-absorbed, why curiosity is the antidote to judgment, and how 90% of success is sheer dumb luck. It's about discovering that loving is your home, catching yourself before judgment takes over, and remembering that none of us are well until all of us are well. This is the second episode in a six-part series on super traits, supported by a generous grant from the John Templeton Foundation.

To learn more about the John Templeton Foundation, visit: www.templeton.org.

Special thanks to the team at the Aspen Ideas Festival where this episode was recorded.

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Chris Duffy—standup comedian and author of Humor Me—writes a thank you letter to Gary, a 10-year-old "food critic" who changed his life. Gary was a fifth grader who hated writing until Chris offered him a column reviewing cafeteria food, and what followed was pure genius: hilarious reviews that brought Chris so much joy he still treasures the hard copies. Chris reflects on how Gary's reviews reminded him to laugh when he was taking himself way too seriously as a young teacher. Gary's goofiness eventually inspired Chris to embrace humor in all aspects of his life, ultimately becoming a professional comedian. Fourteen years later, Gary's an educator himself—helping kids who struggle in traditional school settings...and still trying to figure out what was actually in his vegetarian Hot Pocket.

Check out Chris' book: Humor Me: How Laughing More Can Make You Present, Creative, Connected, and Happy

https://www.penguinrandomhouse.com/books/744561/humor-me-by-chris-duffy/

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Kelly and producer Tammy launch a new Friday tradition for the Super Traits series—breaking down movies that put the virtues of humility, creativity and curiosity on full display. This week, they revisit The King's Speech, exploring how Colin Firth's character must submit to help he doesn't want, from a person he'd normally never acknowledge, using methods that seem absurd. They discuss the different faces of humility in the film: a body that won't cooperate, a childhood that wasn't what it seemed, asking for help in front of people who might use it against you, and the vulnerability of being taught as an adult. It's about what happens when submission becomes the only way forward, and why watching someone get smaller might be the most satisfying thing a movie can show us.

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