Sanctuary: The Power of Resonance and Ritual

In this episode of Sanctuary, host Rhiannon Giddens begins our journey into the ways that music serves us as a vital tool for healing and community.
Musician Mauro Durante introduces us to the pizzica, a centuries-old trance tradition from Southern Italy that began as a communal ritual to cure spider bites. Then, we look at how those same therapeutic practices apply today, from neurological music therapy at Northwestern University to music circles helping combat veterans process their PTSD through songwriting.
Featured Guests:
Mauro Durante - Violinist and percussionist, Artistic Director of Canzoniere Grecanico Salentino
Massimiliano Morabito - Ethnomusicologist and organettista 
Dr. Borna Bonakdarpour - Associate Professor of Neurology, Northwestern University Feinberg School of Medicine
Lee Haight  - Musician and Board President of Soldier Songs and Voices, NWA Chapter
For more on Sanctuary: The Power of Resonance and Ritual, visit silkroad.org.

Sanctuary: The Power of Resonance and Ritual is a new podcast hosted by Grammy Award-winning musician and Silkroad Artistic Director Rhiannon Giddens. Sanctuary is produced in partnership with PRX and Silkroad.
As we mark the nation’s 250th anniversary, we reflect on the state of America today. Historically, people from all over have sought sanctuary in America. Across these different cultures, music has played an essential role in healing, community-building, and belonging.
Through interviews with artists and academics, we’ll trace the roots of this tradition and see how Silkroad melds this into their new work. Scenes will follow Silkroad artists into community events as they celebrate this cross-cultural creation, share their performances, and form new ways to connect.
Join us weekly on Thursdays as we celebrate the music, traditions, and communities that represent sanctuary.

Our final episode brings us to Boston, MA where, at the turn of the 20th century, Black men and women worked as Pullman porters and maids – serving predominantly white travelers while reinforcing a hierarchy reminiscent of the Antebellum South. Wives, sisters, and daughters largely made up the Ladies' Auxiliary of the Brotherhood of Sleeping Car Porters – and served as their mouthpiece – keeping the economic, social, domestic, and political interests of railroad workers at the center of their activism. We’ll hear from special guests Kerri Greenridge, Larry Tye, Melinda Chateauvert, and Helen Credle, as well as from musician and Silkroad collaborator Cécile McLorin Salvant, whose song “Have You Seen My Man?” gives voice to the legions of Black women who awaited the safe return of their loved ones aboard the trains, while they took care of home in communities like Boston’s South End neighborhood.

Centuries before the Dakota Access Pipeline snaked beneath Lakota-Sioux land, the transcontinental railroad barreled through it. Standing Rock Sioux Reservation leaders Dave Archambault Sr. and Jr. discuss how the economic and social expansion of America often comes at the expense of indigenous people. We’ll also hear from musician and Silkroad collaborator Pura Fé about her time in Standing Rock for the #NoDAPL occupation,  ethnomusicologist Everardo “Ever” Reyes take on how songs like Fé's “Mahk Jćhi” are a part of a long tradition of indigenous protest music and Standing Rock Sioux tribe member and historian Dakota Goodhouse on the legacy of Sitting Bull and how Indigenous people opposed and resisted westward expansion.

Episode 3 brings us to California, where historians Karen Ishizuka and Roland Hsu detail the contributions of Japanese and Chinese railroad laborers in a country that leveraged xenophobic laws in attempts to eradicate their cultural heritages. Haruka Fujii, Associate Artistic Director of the Silkroad Ensemble, also walks us through ‘Tamping Song’—an ode to ‘Tamping Ondo,’ a Japanese work song that captures the spirit of laborers dedicated to the rail.