Basic Folk

Well, is this not an excuse to get the girlies together if we've ever heard one!? For our final live interview aboard Cayamo, we arranged a check-in with some of our favorite folks to talk about the state of Folk Music (and folk-adjacent music). Our panel included country artist and host of Apple Music's Color Me Country Radio Rissi Palmer, Canadian sweethearts Rose Cousins (CEO of emotions) and Kaïa Kater (Dean of Sad Songs), and Jobi Riccio, a self-proclaimed "rizzler." We spoke about the function of folk songwriting, the hope and confidence of Gen Z, the inspiration taken from elders, and the fact that there are Black people in the future (thank you, Alice Randall).
We’ve noticed some folk songs coming out recently about moving forward and persevering despite living in hard times. It seems like the folk zeitgeist is collectively coming together to say something and we wanted to explore what’s happening with folk musicians at this time. What is the function of folk songwriting in modern times? Comfort? Information? Inspiration?
Folk is the big scoop that catches everyone. We need there to be a place for everyone else – and we are the everyone else. When you choose to be in this community, you grab onto this big rope, pulling against all that needs pulling against (feeling, current events, poverty, capitalism, things that homogenize, surveil, and control). These artists and the stories they tell take care of communities in a way that is similar to healthcare workers, but how are these workers being taken care of? We wanted to ask, "What’s the state of your workplace and how is care being taken?" And, "What does it feel like to be moving through the world playing music for people at this time?"
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We are live at sea aboard Cayamo 2026 with Abraham Alexander & Kashus Culpepper! The pair had not met prior, but we found a couple of very cool parallels between them, so we decided to interview them together. Plus, we knew it would be more fun to have them both up on stage in front of an audience. Abraham, based in Ft. Worth and originally from Greece, has had an impressive rise in profile thanks to opportunities from friends like Leon Bridges, Gary Clark, Jr., and Adrian Quesada (Black Pumas). Quesada actually worked with Abe on the song "Like a Bird," which was nominated for an Oscar for its inclusion in the deeply moving 2023 film 'Sing Sing.' Navy veteran Kashus Culpepper, born and raised in Alexander City, Alabama, grew up singing in church and learned to play guitar while deployed in Spain. His deployment actually occurred during the pandemic in 2020; left with nothing to do and nowhere to go, he spent his time learning guitar, drinking plenty of sangria, and playing for his fellow sailors (who would also be enjoying said sangria).
Abe and Kash have a few things in common that we discuss: their emotive and boisterous singing voices, learning guitar as adults, intense histories with sports, and, of course, being very handsome. We introduce our conversation with the two musicians as "Handsome Club," (a shout out to Lizzie No's OnlyFans handle, @handsomelizzie) and ask them to speak about their relationship with beauty. After ensuring them that we were for real, they spoke of beauty found in the process of turning pain into something positive, and how confidence in yourself is everything. We have some poignant moments and some major laughs that are enhanced by an awesome crowd. Thanks to everyone on board Cayamo for making the first meeting of Handsome Club so successful!

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We are so excited to kick off our Interviews at Sea series with DAWES! We had the chance to talk to brothers Taylor and Griffin Goldsmith aboard Cayamo: A Journey Through Song during their 18th voyage in March 2026 in front of a packed audience. The guys have been performing as Dawes since 2009, but the band has been a duo since their 2024 album, 'Oh Brother.' The Goldsmiths have been singing and playing together their whole lives inspired by their musician father, Lenny Goldsmith, who toured as the lead singer of Tower of Power in the 1980s. Taylor was never told it was hard to play guitar or sing, so he just did it. He always knew he wanted to be a professional musician. We talk about the ways his musical career turned out as not quite what he had expected. We also touch on how their singing has evolved over the course of their lives together. Both Taylor and Griff are fathers, so of course we asked about the freedom that comes with priorities changing in their lives and careers – as well as what toys they may have regretted ever letting their kids have.
One thing following Dawes around for the past year is the aftermath of the January 2025 Eaton Fire in Los Angeles. Both brothers and their parents suffered immense loss due to the flames sweeping through Altadena, destroying thousands of homes and causing over 30 deaths. Griffin's son was born two weeks after the fire, a month early. Dawes became the musical face of the disaster with an emotional performance on 'Jimmy Kimmel Live!' and opening the GRAMMYs with Randy Newman’s “I Love LA” with a veritable supergroup: Sheryl Crow, Brad Paisley, Brittany Howard, St. Vincent, and John Legend. The brothers get into what the experience taught them about healing and reaching a place where this tragedy does not define them. We hear a bit about Taylor's love of collecting first editions and his fear of the comment section and we wrap up with a fun "Which One?" lightning round. Thanks to Dawes!
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One of the things I [lizzie] really enjoyed about interviewing Toronto-born singer-songwriter Julian Taylor is his relationship with the truth. He has a really peaceful attitude towards learning and sharing new information. For example, at the beginning and the end of our interview, there were biographical facts about him that I had gotten wrong in my research. Gently and matter of fact he fact-checked me and we just moved on. It was such a cool example of, "Oh, you've got this a bit wrong and it matters that we get it right," but nothing about that is personal. In an era of misinformation and alternate facts, it feels really grounding to have an hour-long conversation with someone who really cares about getting it right. That shows through in his songs and in his storytelling.
Julian experienced an eclectic musical upbringing thanks to his classical-and-gospel musician father, his mother’s love of Motown and folk, and wide influences from pop to blues. Oral tradition in his family shaped how he tells a story. Especially on his mother's side with his Mohawk grandfather, a pastor who told incredible stories. He also discusses being pigeonholed by race and genre. Oftentimes, people will think that he performs a certain type of music because he looks a certain way. He mentions that audiences can be shocked when he pulls out a country song while sporting hair that looks more reggae than Johnny Cash. Taylor discusses his breakthrough 2020 album, 'The Ridge,' he talks about his writing process (often starting with lyrics), and the intent behind his latest release 'Anthology: Volume Two' – including “Hunger,” “Don’t Let ’Em” (with Jim James), “Dedication,” and “Weighing Down” – addressing mental freedom, identity politics, and self-forgiveness.
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Mike and Ruth Merenda have been making music together as the Mammals since 2001, with a little break in 2008 to play as Mike & Ruthy. They've been back as the Mammals since 2017 with a couple of great albums, most recently 'Touch Grass' Vol. 1 and Vol. 2. Mike, born and raised in New Hampshire, picked up the banjo after he met fiddler Ruth Ungar. Ruth is the daughter of Jay Ungar, a much loved folk musician who is best known for his composition, "Ashokan Farewell," used as the theme tune to the Ken Burns 1990 documentary 'The Civil War,' which you now have playing in your head. Essentially, Ruth grew up surrounded by folk music, which she talked all about on her last appearance on Basic Folk.
This time around, we dig into a few of the songs on their double album 'Touch Grass.' There are A LOT to choose from: seventeen tracks in all. It was a four-year project recorded at their Humble Abode studio in the Catskills. The songs offer a mix of socially conscious "daytime" folk-rock and introspective "nighttime" Americana. We get into the gospel influence on "O The Cruelty," the barebones arrangements of "Old Friend," and keeping the sadness in check with "Doldrums." They also talk a bit about their home venue, the Ashokan Center, where their musical festival the Hoot takes place. Let it be known that the center has a ton of old farm equipment and no, they do not want any more, so don't ask them to take it. Thanks, Mike & Ruthy!
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