Folger Shakespeare Library: Shakespeare Unlimited

Why does Samuel Pepys’s diary still matter 200 years after it was first published? In her new book, The Strange History of Samuel Pepys’s Diary, historian Kate Loveman examines how Pepys’s extraordinary consistency as a diarist has made his writing one of the richest records of everyday life in Restoration England. Writing almost daily for nearly a decade, Pepys’s diary documents everything from politics and scientific discoveries to theater and fashion. Even in times of crisis, Pepys reveals life’s ordinary concerns, from worrying about the source of hair for wigs during the Great Plague to safeguarding a wheel of expensive Parmesan cheese during the Great Fire of London. He also offers a rare glimpse into contemporary theatergoing, recording audience reactions and his own opinions, including Shakespeare. He famously dismissed A Midsummer Night’s Dream. In this episode, Loveman explores how Pepys’s diary has been edited, published, censored, and rediscovered over centuries, entertaining readers from the Victorian era to the COVID-19 pandemic in the 21st century. Pepys’s daily observations show how careful, habitual record-keeping can transform ordinary life into an invaluable historical resource. From the Shakespeare Unlimited podcast. Published December 30, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc. Kate Loveman is Professor of Early Modern Literature and Culture at the University of Leicester and an internationally recognized expert on Pepys and Restoration literature. She is the author of Reading Fictions, 1660–1740: Deception in English Literary and Political Culture; Samuel Pepys and his Books: Reading, Newsgathering, and Sociability, 1660–1703; and The Strange History of Samuel Pepys’s Diary; and the editor of The Diary of Samuel Pepys for Everyman.

What did people really eat in Shakespeare’s England? In her new book, Much Ado About Cooking, food historian Sam Bilton uncovers the vibrant and surprising world of early modern cuisine—where sugar was locked away like treasure, fresh salads were everyday fare, and a “banquet” meant a “post-feast after party” dessert course. Bilton brings to life the flavors behind Shakespeare’s food references: mince pies, herb-packed green sauces, saffron-brightened tarts, and even whimsical dishes crafted to look like something else entirely. These foods reveal a world shaped by global trade, humoral medicine, and a delight in spectacle. In this episode, Bilton discusses how cooking, dining, and food imagery can open a new window onto Shakespeare’s plays and the people who lived, ate, and celebrated in his time. From the Shakespeare Unlimited podcast. Published December 16, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc. Sam Bilton is a food historian, author and presenter of the award-winning “Comfortably Hungry” and “A is for Apple” podcasts. She has written books on the history of gingerbread, saffron and chocolate, and writes articles on food history for a variety of print and online publications. Sam has also hosted several Shakespeare-themed supper clubs over the years. You can find out more details about Sam on her website: sambilton.com.

Hamnet, the acclaimed novel by Maggie O’Farrell, is now a major film. The story imagines the life and death of Shakespeare’s son, Hamnet, whose loss would later echo through one of his most famous tragedies, Hamlet. O’Farrell joins director and co-writer Chloé Zhao to reveal how they adapted the novel for the big screen. With Jessie Buckley as Agnes and Paul Mescal as William, the film reframes the Shakespeare family story as one of deep love, rupturing grief, and artistic creation. O’Farrell and Zhao discuss developing the screenplay together, interpreting Shakespeare as a husband and father, building the film’s immersive natural world, and shaping an unforgettable Globe Theatre sequence that anchors the emotional arc of the story. O’Farrell and Zhao talk about adaptation, artistry, and how a 400-year-old loss continues to inspire new ways of imagining Shakespeare’s life and legacy. From the Shakespeare Unlimited podcast. Published December 2, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Before Shakespeare became a literary icon, he was a working writer trying to earn a living in an emerging and often precarious new industry. In The Dream Factory: London’s First Playhouse and the Making of William Shakespeare, Daniel Swift explores the dream of making money from creating art, a dream shared by James Burbage, who built The Theatre, the first purpose-built commercial playhouse in London, and a young Shakespeare. Nobody had ever really done that before, with playwrights at the time notoriously poor. Swift shows that Shakespeare’s creativity unfolded in a rapidly changing London where commercial theater was just beginning to take shape. The Theatre offered Shakespeare the stability, a close team of actors and cowriters, and the professional home that he needed to develop his craft. Swift reveals a playwright who was learning on the job and becoming the Shakespeare we know today. From the Shakespeare Unlimited podcast. Published November 18, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Daniel Swift is an associate professor of English at Northeastern University, London. He is the author of books on Ezra Pound, William Shakespeare, and the poetry of the Second World War, and editor of John Berryman’s The Heart Is Strange: New Selected Poems. His essays and reviews have appeared in the New York Times, New Statesman, and Harper’s.

Imprisoned for nearly 20 years by her cousin Queen Elizabeth I, Mary, Queen of Scots, fought her battles through words, sending and receiving coded letters hidden in books, garments, and even beer barrels. Historian Jade Scott, of the University of Glasgow, Scotland, has uncovered the human and political depths behind Mary’s captivity through 57 recently decrypted letters, coded missives that reveal her as a strategist, an adept diplomat, and a woman navigating the perilous politics of Elizabethan England. In her new book, Captive Queen: The Decrypted History of Mary, Queen of Scots, Scott draws on these newly decoded letters to illuminate Mary’s time in captivity, her alliances and betrayals, and the intricate game of espionage that ultimately led to her execution. From the Shakespeare Unlimited podcast. Published November 4, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Jade Scott, PhD, is a historian specializing in Mary, Queen of Scots and is an expert on her letters. She is a lecturer in historical linguistics at the University of Glasgow and an associate fellow of the Royal Historical Society, researching early modern Scottish women and their correspondence. Fascinated by Mary since she was a child, Jade was contacted by the DECRYPT Project to consult on the translations of Mary’s newly-decoded letters, which led to the writing of Captive Queen. Jade lives in Glasgow.