Critical Darlings

This week, it's The Mario Galaxy Movie! The second film in the Nintendo/Illumination franchise is already a global hit despite less than stellar reviews. It is nevertheless a fascinating film: an amalgam of stunning animation and music, full of hyperactive action, with little interest in the typical conventions of narrative storytelling, and like, plot.

On this episode Alison and Richard, along with producer Benjamin Frisch, discuss the film, its beauty and weirdness, offer a sidebar on Shigeru Miyamoto as-artist, and delve into the history of video game adaptations.

We discuss producer Ben’s longstanding trauma related to the 1993 Super Mario Bros. adaptation, and the evolution of video game films from the schlocky but individual adaptations of the past to the more controlled franchise model of today. Finally, we expose Dr. Mario for his quackery, scold the Mario babies, and recommend some further viewing and listening.

Next week, we will be revealing the worst things we’ve ever done, over dinner, with The Drama.
Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we’re eating the rich with two new horror films that share devilishly similar premises: Ready Or Not 2: Here I Come and They Will Kill You both feature women fighting back against satanic cults run by rich elites in order to protect an estranged younger sister, written with wry humor aimed at the ultra-wealthy. Neither film did particularly well critically or at the box office, but they raise a fascinating question for Critical Darlings: Has the Trump-era social satire horror film finally run out of steam?

In this episode, Richard and Alison trace this specific strain of metaphor-driven social horror, deconstruct it, and try to distinguish it from socially aware classics like Rosemary’s Baby. From racial allegories like Get Out, the trauma-informed The Babadook, class satires like The Menu, and alternate-reality anthology TV like Black Mirror, we ask why the recent crop of these types of movies are starting to feel so creaky, while less directly metaphorical films like Weapons feel more fresh.

Next week, we’re trading our cult robes for overalls as we hop on a Launch Star and blast off with our best friends Mario, Luigi, and of course Birdo, to orbit The Super Mario Galaxy Movie.'

Read and subscribe to Richard's newsletter at ⁠Premiere Party,⁠ and read Alison at ⁠Vulture.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Beam me up…Rocky!? Critical Darlings is back, from outer space, in our new feed, talking about the first blockbuster of the year. Project Hail Mary, directed by Phil Lord and Chris Miller for Amazon, is a family-friendly science fiction film about Ryan Gosling on a risky space mission with a cute alien pal. The movie is a critical and commercial success and feels livelier than so many would-be blockbusters. But what is it about Hail Mary that works where last year’s Gosling-led The Fall Guy failed? Is this the return of the ’80s-era cute puppet friend movie? Is Gosling the hottest middle school teacher ever?

Alison and Richard also get into the film itself, with sidebars on Gosling and Lord and Miller’s filmographies, and dig into Amazon’s upcoming film slate, James Bond, and whether the studio could become a significant player in a post-Paramount-merger landscape. Finally, we check in on the vibes around The Mandalorian and Grogu and Alison’s newest crush, Rotta the Hutt.

Read and subscribe to Richard's newsletter at Premiere Party, and read Alison at Vulture.
Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s Critical Darlings’ biggest morning! After a marathon season, we react to this year’s Academy Awards: the winners, losers, presenters, performances, and awkward play-offs.

One Battle After Another and Sinners nearly split the ballot with One Battle and Paul Thomas Anderson taking the biggest prizes in Best Director and Best Picture, while Sinners took home Best Actor, Score, Adapted Screenplay, and Cinematography. But for as many questions as the ceremony answered, it raised more: Do Sinners and Amy Madigan’s wins signal a shift in how the Academy sees horror? What exactly is the Best Casting Oscar tracking? Are we now doomed to see Timmy eat a raw elk in an Iñárritu film?

As part of this special episode, we also check in with Critical Darlings fashion correspondent Ben “The Other Ben” Hosley on this year's Oscars fashion, review the best popcorn buckets of the year with Vulture’s Rebecca Alter, and reveal the future of Critical Darlings. 

Subscribe to Richard's newsletter, ⁠Premiere Party,⁠ and read Alison's work at ⁠Vulture.

⁠Follow Critical Darlings on Instagram⁠⁠
Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Critical Darlings, where critics Richard Lawson and Alison Willmore cover the latest film driving the conversation—from big summer blockbusters to festival favorites, buzzy streamers, and major awards contenders. New episodes every Thursday.

Produced by Benjamin Frisch

Subscribe to Richard's newsletter, ⁠⁠Premiere Party,⁠⁠ and read Alison's work ⁠⁠at Vulture.⁠⁠

Follow @blankcheckpod on ⁠⁠Twitter⁠⁠, ⁠⁠Instagram⁠⁠, ⁠⁠Threads⁠⁠ and ⁠⁠Facebook⁠⁠!
Learn more about your ad choices. Visit megaphone.fm/adchoices