The writer Martin Amis, who died last week at the age of 73, was a towering figure of English literature who for half a century produced a body of work distinguished by its raucous wit, cutting intelligence and virtuosic prose.On this week’s podcast, Gilbert Cruz talks with The Times’s critics Dwight Garner (who wrote Amis’s obituary for the paper) and Jason Zinoman (who co-hosts a podcast devoted to Amis’s career, “The Martin Chronicles”) about the life and death of a remarkable figure who was, as Garner puts it, “arguably the most slashing, articulate, devastatingly clear, pungent writer of the last 25 years of the past century and the first almost 25 of this century.”We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]

Are you ready to dive in to the work of the prolific and inventive fantasy writer Neil Gaiman? On this week’s episode, the longtime Gaiman fan J.D. Biersdorfer, an editor at the Book Review, talks with the host Gilbert Cruz about Gaiman’s work, which she recently wrote about for our continuing “Essentials” series.Also this week, Cruz talks with the Times critic Dwight Garner about “The Death of the Author,” a murder mystery that the novelist Stephen Marche wrote with the assistance of ChatGPT and other artificial intelligence programs. Is A.I. in fact a harbinger of doom for creative writers?Here are the books discussed in this week’s episode:“American Gods,” by Neil Gaiman“Good Omens,” by Neil Gaiman and Terry Pratchett“Stardust,” by Neil Gaiman“Coraline,” by Neil Gaiman“The Ocean at the End of the Lane,” by Neil Gaiman“The Sandman,” by Neil Gaiman“The Hyphenated Family,” by Hermann Hagedorn“Monsters,” by Claire Dederer“The Death of the Novel,” by Aidan MarchineWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]

The Pulitzer Prizes were announced on Monday, bestowing one of America’s most prestigious awards in journalism and the arts on writers across a range of categories. Among the winners were three authors who had also appeared on the Book Review’s list of the 10 Best Books of 2022: the New Yorker staff writer Hua Hsu, for his memoir “Stay True,” and two novelists who (in a first for the Pulitzers) shared the prize in fiction, Barbara Kingsolver for “Demon Copperhead” and Hernan Diaz for “Trust.”On this week’s episode, Hsu and Diaz chat with the host Gilbert Cruz about their books and what it’s like to win a Pulitzer.“I wish I had a more articulate thing to say, but it was just truly weird,” Hsu tells Cruz about learning he was the inaugural winner in the memoir category. (Before this year, memoirs were judged alongside biographies.) “It was a thrill, but it was also just truly a weird out-of-body experience.”For Diaz, the Pulitzer announcement came while he was at a fried chicken and waffle restaurant in South Carolina, where he was on tour to promote his book’s paperback release. “I totally lost it,” he says. “I had to go out and, I’m a little bit embarrassed to confess it but I was weeping sitting on the curb. And these three lovely older ladies come by and they ask me, Oh sweetheart, honey, are you OK? I’m not exactly sure what I said, but I shared the good news with them and suddenly all four of us were hugging in the middle of the street. So it was a good moment.”We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]

Book-banning efforts remain one of the biggest stories in the publishing industry, and on this week’s episode of the podcast, our publishing reporters Alexandra Alter and Elizabeth Harris chat with the host Gilbert Cruz about the current state of such attempted bans and how they differ from similar efforts in the past.“It is amazing to see both the upward trend in book bans but also the ways that the process of getting bans has evolved,” Alter says. “This has happened really quickly. … We’ve seen a lot of the book bans that have taken place in the last couple of years coming from either organized groups or from new legislation, which is a big shift from what librarians had tracked in the past, where they would see usually just a couple hundred attempts to ban books each year. And most of those were from concerned parents who had seen what their kid was reading in class or what their kid brought home from the public library. And usually those disputes were resolved quietly. Now you have people standing up in school board meetings reading explicit passages aloud.”Also on this week’s episode, Joumana Khatib takes a look at some of the biggest new books to watch for this month.Here are the books discussed in this week’s episode:“Chain-Gang All-Stars,” by Nana Kwame Adjei-Brenyah“King: A Life,” by Jonathan Eig“Quietly Hostile,” by Samantha Irby“Yellowface,” by R.F. KuangWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]

Eleanor Catton’s new novel, “Birnam Wood,” is a rollicking eco-thriller that juggles a lot of heady themes with a big plot and a heedless sense of play — no surprise, really, from a writer who won Britain’s prestigious Man Booker Prize for her previous novel, “The Luminaries,” and promptly established herself as a leading light in New Zealand’s literary community.On this week’s podcast, Catton tells the host Gilbert Cruz how that early success affected her writing life (not much) as well as her life outside of writing (her marriage made local headlines, for one thing). She also discusses her aims for the new book and grapples with the slippery nature of New Zealand’s national identity.“You very often hear New Zealanders defining their country in the negative rather than in the positive,” she says. “If you ask somebody about New Zealand culture, they’ll begin by describing something overseas and then they’ll just say, Oh, well, we’re just not like that. … I think that that’s solidified over time into this kind of very odd sense of supremacy, actually. It’s born out of an inferiority complex, but like many inferiority complexes, it manifests as a superiority complex.”A word of warning, for listeners who care about plot spoilers: Toward the end of their conversation, Catton and Cruz talk about the novel’s climactic scene and some of the questions it raises. So if you’re a reader who prefers to be taken by surprise, you may want to finish “Birnam Wood” before you finish this episode.We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]